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Nostalgia Quotes

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Nostalgia Quotes

“But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a baby’s sneeze across campus might expose Kaylee’s entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldn’t save her? In case you’ve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of “straight blonde hair on top, long curly dark brown extensions underneath, one feather.” The 2003 vibe—culturally, socially, politically, spiritually—was very “energy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.” Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductor’s hat. Never again! Bad Boys II is a 2003 movie.”

NostalgiaMovie Critics2003Jessica SimpsonBad Boys IiMark McgrathNicole Richie
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“Mostly I love Halloween because it is the orange-and-black beginning of a season that tumbles into Thanksgiving, which tumbles into Christmas. And Zombies just seem a little out of place in that. Thanksgiving should have nothing to do with armies of shuffling undead. Don’t get me started on Christmas. The only undead at Christmas should be Jacob Marley, wailing about greed. The iconic image of Halloween should be the pun’kin. The pun’kin, carved into faces that are scary only because we want them to be, winking from every porch. The pun’kin cast in plastic, swinging from the hands of knee-high princesses, leering back from department store shelves, until it gives way to tins of butter cookies. But I fear for the pun’kin. How long before before he is kicked down the street by zombie hordes, booted into obscurity? Young people tell me that no one—no one— wants to dress up like a pun’kin any more. All a pun’kin does they say is sit there, and glow. This may be true, all of it, but try to make a pie out of a zombie, and see where that gets you. Though I hear that, when it comes to pies, your canned zombie is the way to go.”

HumorousNostalgiaHolidays
Book:Where I Come From: Stories from the Deep South
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“Revolutionary theory also enshrined the living utopian hope that the State would wither away, and that the political sphere would negate itself as such, in the apotheosis of a finally transparent social realm. None of this has come to pass. The political sphere has disappeared, sure enough - but so far from doing so by means of a self-transcendence into the strictly social realm, it has carried that realm into oblivion with it. We are now in the transpolitical sphere; in other words, we have reached the zero point of politics, a stage which also implies the reproduction of politics, its endless simulation. For everything that has not successfully transcended itself can only fall prey to revivals without end. So politics will never finish disappearing - nor will it allow anything else to emerge in its place. A kind of hysteresis of the political reigns. Art has likewise failed to realize the utopian aesthetic of modern times, to transcend itself and become an ideal form of life. (In earlier times, of course, art had no need of self-transcendence, no need to become a totality, for such a totality already existed - in the shape of religion.) Instead of being subsumed in a transcendent ideality, art has been dissolved within a general aestheticization of everyday life, giving way to a pure circulation of images, a transaesthetics of banality. Indeed, art took this route even before capital, for if the decisive political event was the strategic crisis of 1929, whereby capital debouched into the era of mass trans politics, the crucial moment for art was undoubtedly that of Dada and Duchamp, that moment when art, by renouncing its own aesthetic rules of the game, debouched into the transaesthetic era of the banality of the image. Nor has the promised sexual utopia materialized. This was to have consisted in the self-negation of sex as a separate activity and its self-realization as total life. The partisans of sexual liberation continue to dream this dream of desire as a totality fulfilled within each of us, masculine and feminine at once, this dream of sexuality as an assumption of desire beyond the difference between the sexes. In point of fact sexual liberation has succeeded only in helping sexuality achieve autonomy as an undifferentiated circulation of the signs of sex. Although we are certainly in transition towards a transsexual state of affairs, this has nothing to do with a revolution of life through sex - and everything to do with a confusion and promiscuity that open the door to virtual indifference (in all senses of the word) in the sexual realm.”

NostalgiaRealismPornographyGamingTranspoliticsSimulated Revolutions
Book:The Transparency of Evil: Essays in Extreme Phenomena
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“Prohibitions themselves are no longer transcendent. Once upon a time they were signified to us from on high by laws that came from a far-off region - perhaps, here again, an Island of Prohibitions, ruled over by a divinity concerned for our fate. But today they too have been internalized; they are produced by the brain. It is we who produce them; they are secretions of the individual unconscious. They no longer have any grandeur, nor, in the end, do they even have any charm. They either disappear purely and simply (it is forbidden to forbid), or become once again, paradoxically, objects of nostalgia, objects of desire - where once they separated us from the accomplishment of desire.”

NostalgiaProhibitionismNetflix And Chill
Book:The Intelligence of Evil or the Lucidity Pact
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“It was strange. It was painful. It was wonderful. It was something unique to the twentieth century. To sit in a theater in 1994 and fall in love with a woman from 1929 … that would be like sitting in a theater in 1929 and falling in love with someone from 1864 … or like watching 1994 from the year 2059. These leaps across time are fantastic. Yet it’s inevitable that soon people will think nothing of watching a movie from a century before, any more than we would consider it odd to read a hundred-year-old book.”

RomanceHistoryNostalgiaFilmmakingDays Gone By
Book:Complicated Women: Sex and Power in Pre-Code Hollywood
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“He looked around the room: the light from outside was laying a big pattern across Goody’s bed and hitting this little rug he had, the kind you use to step out of the shower. The floor itself was made out of those big squares of thinnest-possible linoleum, many of them chipped and broken at the corners; all kinds of hair and shit got stuck down there and ground in over time. A paper clip, a trapezoid shard of an old broken light bulb, a flattened-out piece of gum from the Second World War. Pick made a vow never to go barefoot in this room.”

NostalgiaBarefoot
Book:Attachments
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“i miss the days my friends knew every mundane detail about my life and i knew every ordinary detail about theirs adulthood has starved me of that consistency that us the walks around the block the long conversations when we were too lost in the moment to care what time it was when we won and celebrated when we failed and celebrated harder when we were just kids now we have our very important jobs that fill up our very busy schedules we compare calendars just to plan coffee dates that one of us eventually cancels cause adulthood is being too exhausted to leave our apartment most days i miss knowing i once belonged to a group of people bigger than myself that belonging made life easier to live - friendship nostalgia”

PoetryFriendshipNostalgia
Book:Home Body
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“I shuffle over to the tree, sliding beneath it and lying on my back so I can look up through the gnarled branches. It's a kaleidoscope of color and texture: the smooth light bulbs, the prickly pine needles. Ornaments of glass, and silk, and spiky metallic stars. A little wooden drummer Theo gave Ricky nearly twenty years ago. Laminated paper ornaments of our handprints from preschool, handmade ceramic blobs that were supposed to be pigs, or cows, or dogs. Nothing matches; there's no theme. But there is so much love in this tree, so much history.”

NostalgiaChristmas TreesChristmas Ornament
Book:In a Holidaze
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“Nostalgia is an excessive sentimentality for the past, for home. It is associated with a yearning to return to a happy and safe period in your life. The word comes from nóstos, meaning “homecoming”, and álgos, meaning “pain” or “ache”. It’s all about the “good old days”, and “the good times”. Conservatism revolves around nostalgia. All right wingers are nostalgic, and suffer from future shock and future fear. Science is about extreme nostalgia for the material atoms of the ancient Greeks. Materialism is entirely dead in the era of quantum mechanics, yet scientists go on believing in matter anyway. They are highly conservative individuals unwilling to contemplate leaving the home materialism has provided for them. The last thing they want is to end up in the Unknown Land of Mind, where thought, not matter, is core reality. That would ruin everything for the scientific materialists and empiricists.”

ScienceChangeConservativeNostalgiaResistanceMaterialismParadigmRight WingHomesickReactionary
Book:Extra Scientiam Nulla Salus: How Science Undermines Reason
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“Adesso ricordo che non mi ha riconosciuta. Mi ha guardata, poi ha girato gli occhi per la stanza, a destra e a sinistra, perché non vedeva quello che si aspettava. Mi ha guardata e mi ha parlato come se fossi un’estranea. Che cosa fate, quando vi succede una cosa del genere? Perché ridete di me? Avete nascosto anche il mio vestito rosso? Se avessi avuto quello mi avrebbe riconosciuta. — E chi volete che ve l’abbia nascosto, il vostro vestito? — disse lei. — È appeso nell’armadio. Mi guardò e disse: — Forse non sapete nemmeno da quanto tempo siete qui, povera donna. — Al contrario, — dissi — io so soltanto questo, da quanto tempo sono qui. Giorni e notti, notti e giorni, me ne sono scivolati tra le dita a centinaia. Ma questo non importa. Il tempo non significa niente. Ma ciò che si può toccare e tenere in mano come il mio vestito rosso, questo sì che ha un significato. Dov’è? Accennò col capo verso l’armadio, e gli angoli della bocca le si piegarono all’ingiù Non appena girai la chiave lo vidi appeso, color di fuoco e di tramonto. Il colore dei fiori fiammeggianti. — Se ti seppelliscono sotto un albero fiammeggiante, — dissi — quando fiorisce ti senti l’anima sollevata. Tutti desiderano questo. Lei crollò il capo, ma non si mosse, non mi toccò. Il profumo che si esalava dal vestito a tutta prima era molto tenue, poi si fece più intenso. Odore di vetiver e di frangipane, di cannella e di polvere e di cedri quando fioriscono. L’odore del sole e l’odore della pioggia.”

NostalgiaFolliaFioriJean RhysRossoIl Grande Mare Dei SargassiCannellaCaraibi
Book:Wide Sargasso Sea
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“I guess I’m just not from this time… My parents didn’t call or text me, they yelled my name. My friends and I spoke in person and played outside. There were countless amazing moments with no pictures (evidence)or public announcements. We just lived our lives…If something was great, we enjoyed it… If something was broken, we tried to fix it. Then we went home… and if I didn’t eat what my mom cooked, I didn’t eat.”

Nostalgia
Author:Steve Maraboli
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“Life isn’t in our brain // It flows through our veins. Just a little cut to drain out the galaxies that keep me up tonight. Just a little cut and all this goes away. Just a little cut and no more thoughts. No memories. No pain. I mean screw nostalgia. I don’t want it. Take it back!”

PastMemoryNostalgiaAvoidanceSleeplessnessLetting Go Of The PastBad MemoriesSuicide ThoughtsLetting Go Of Negative PeopleLetting Go Of Your Grudges
Book:Red Sugar, No More
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“On summer nights when the windows are open, you can listen in on people's lives—babies crying, kids laughing, radios blaring, mothers yelling, couples fighting. Funny thing is, the sounds are always the same. Even though different people come and go, the sounds stay the same. I like that. It makes me feel a part of something big, something never ending, like the stars.”

SummerNostalgiaNostalgicGreat DepressionNostalgia QuotesNostalgic MemoriesApartment LifeNostalgic NostalgiaSummer Life
Book:Nothing to Fear
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“Strange memories on this nervous night in Las Vegas. Has it been five years? Six? It seems like a lifetime. The kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. But no explanation, no mix of words or music or memories can touch that sense of knowing you were there and alive, in that corner of time and the world. Whatever it meant... There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning... And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. We had all the momentum; we were riding the crest of a high and beautiful wave... So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”

PastMemoriesNostalgiaSan FranciscoBittersweetSixties
Book:Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
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“Our twenties are glazed in a raging insatiability. No matter how much we do, there is more to be done. More to see, more to experience, more to destruct. These years exude the rawness of life and the imperfection of youth. It’s walking around the kitchen naked with pizza at 3 a.m. It’s drunken life chats in bathroom stalls and falling in love. It’s days that feel like we have it all together and nights when it comes undone. These moments are half forgotten, lost in a blur of fury, of adventure and confusion, of black coffee and red wine. A restless restlessness like nothing we’ve known or will ever know again.”

AgeMemoriesYouthTwentiesNostalgiaTwenty
Author:Soranne Floarea
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