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Short Story Quotes

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Short Story Quotes

“The novella is at once the most elegant and demanding form: a writer must balance the looseness of a novel with the concision of a short story, a feat that only the bravest and most talented of us can manage. In Brazil, Jesse Lee Kercheval proves, yet again, that she is exactly the right writer for the job. A wild American picaresque, Brazil snaps along briskly, yet feels full-fleshed, and brims with a sly wit and grace.”

“I know I'll keep writing poems. That's the constant. I don't know about novels. They're hard. It takes so much concentrated effort. When I'm writing a novel it's pretty much all I can do. I get bored. It takes months. Movies do the same thing. It's all-encompassing. It feels like I'm going to end up writing poems, short stories and screenplays.”

“I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.”

“I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.”

“The short story is at an advantage over the novel, and can claim its nearer kinship to poetry, because it must be more concentrated, can be more visionary, and is not weighed down (as the novel is bound to be) by facts, explanation, or analysis. I do not mean to say that the short story is by any means exempt from the laws of narrative: it must observe them, but on its own terms.”

“A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige throughbeing mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.”

“I first read Wendell Berry's short-story collections, "Fidelity" and then "Watch with Me." They just knocked my socks off. The characters and the fellowship of the small town reminded me of my own small town in Illinois.Then I discovered that, much like J.R.R. Tolkien and C.S. Lewis, that all of Berry's fiction was centered in this same town.”

“A major boom in real stock prices in the US after Black Tuesday brought them halfway back to 1929 levels by 1930. This was followed by a second crash, another boom from 1932 to 1937, and a third crash. Speculative bubbles do not end like a short story, novel, or play. There is no final denouement that brings all the strands of a narrative into an impressive final conclusion. In the real world, we never know when the story is over.”

“The literature now is so opaque to the average person that you couldn't take a science-fiction short story that's published now and turn it into a movie. There'd be way too much ground work you'd have to lay. It's OK to have detail and density, but if you rely on being a lifelong science-fiction fan to understand what the story is about, then it's not going to translate to a broader audience.”

“When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.”

“There are a lot of college writing textbooks that will include essays and short stories, and after reading the story or essay, there will be questions such as "Have YOU Had any experience with a pedophile in YOUR family?" or "When was the last time you saw YOUR mother drunk?" and they're just really good at prompting stories. You answer the question, and sometimes that can spring into a story.”

“As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case. After I gave up television, I found I could carry longer and longer stories or ideas in my head and put them together until I was carrying an entire short story. That's pretty much when I started writing.”