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And Off Quotes

“Oh, no. I don't think I've ever really subscribed to that view, that you can turn it on and off like a water tap. Um, you know, I think that there's a whole lot that goes into the makeup of an individual that, uh, you just can't simply say, oh, like, "Tomorrow morning I'm gonna stop being gay." It's like saying, "Tomorrow morning I'm gonna stop being black."”

“It puts people who are into this psychedelic thing in an entirely different stance from all other spiritual seekers, because all other spiritual seekers are furiously seeking. Psychedelic people are holding it back with all their power, because they are in the presence of the mystery. And then the trick is to get a spigot on it so that it can be turned on and off rather than coming at you like a tidal wave a mile high and twenty miles wide.”

“"There's no CEO for the government." But if you were CEO for a day at the government, would you have tools and reports and wherewithal to look at government the way a business would look at its lines of business, its spending, its revenue? I've actually been working, first by myself and then with a group of people, on then on and off, and now much more on, almost since the I time left Microsoft.”

“I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.”

“Gregory Peck was so charismatic. I saw a woman fall down - fall down! - when she saw him in a restaurant. And Brando. We were in London, and by then he was about 380 pounds. There was a gorgeous waitress, and off he went, in direct competition with me for this young girl's attention, speaking French, making her blush.”

“Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.”