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Artists Quotes

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Artists Quotes

“My inspiration comes from many sources. Clearly, Mother Nature has always occupied an important position in this regard, which is tied up to my early experiences in Mexico. In addition, the patterns used in Mexican arts and crafts—ceramics, textiles, tiles, masks, etc.—also have been present in the development of my mental and artistic imaginary from the very beginning. Other elements that I can mention are indigenous myths and legends, the expressions of other artists from various cultures, iconic historical figures, and the works of poets and other writers, some of whom are my friends. Obviously, my surroundings are also a big source of inspiration, as my series of paintings on the Pacific Northwest clearly show. (Interview in Artophilia)”

ArtInspirationArtistPaintingMexicoArtistsIndigenousMother NaturePaintingsPacific Northwest
Author:Alfredo Arreguin
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“Thanks to our artists, we pretend well, living under canopies of painted clouds and painted gods, in halls of marble floors across which the sung Masses paint hope in deep impatsi of echo. We make of the hollow world a fuller, messier, prettier place, but all our inventions can't create the one thing we require: to deserve any fond attention we might accidentally receive, to receive any fond attention we don't in the course of things deserve. We are never enough to ourselves because we can never be enough to another. Any one of us walks into any room and reminds its occupant that we are not the one they most want to see. We are never the one. We are never enough.”

ExpectationsRequirementsArtistsSelf HateNever EnoughFalling Below Expectations
Book:Mirror Mirror
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“Kamera ina athari kubwa sana katika maisha yetu. Inaweza kuharibu taswira ya mtu mbele ya jamii, na inaweza kuharibu maisha ya mtu hali kadhalika. Wasanii wakubwa duniani hawatoki ndani bila ya kuwa nadhifu au bila ya kujipodoa. Kwa nini? Kwa sababu ya wasanii wao wa vipodozi. Wasanii wao wa vipodozi hawataki waajiri wao wawe na taswira mbaya mbele ya wateja wao ambayo ni jamii. Kuwa na taswira mbaya mbele ya jamii kunaweza kusababisha wao (wasanii wa vipodozi) pamoja na waajiri wao, wasiishi vizuri hapa duniani kama wanavyotaka. Kioo ni kitu au mtu. Kama huna uwezo wa kumiliki vipodozi, miliki kioo. Kama huna uwezo wa kumiliki kioo, miliki rafiki. Kioo (hasa kitu) hakina unafiki. Usitoke ndani bila kuridhika na taswira yako.”

LifeSocietyEffectsSmartCustomersHypocrisyFriendPersonArtistsEmployersMirrorImageMaishaCameraMtuJamiiRafikiKameraTaswiraKiooWasaniiNadhifuUnafikiWaajiriAthariWateja
Author:Enock Maregesi
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“A musician doesn’t know how he creates music. A writer doesn’t know how plots come to his mind. A painter doesn’t know why he painted what he painted. Yeah, artists are humble folks, because deep down they know they are not doing the creating. But once they become successful, once they achieve fame, they turn arrogant.”

CreativityWritersFree WillArtistsWriting QuotesWriters QuotesCreativity QuotesArtists QuotesFree Will QuotesPainter Quotes
Book:The Meaninglessness of Meaning
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“They were torn by force, on the one hand, and by freedom, on the other, and stood defenseless against the chaos that threatened to destroy the whole order of the intellectual world. In them we encounter for the first time the modern artist with his inward strife, his zest for life and his escapism, his traditionalism and his rebelliousness, his exhibitionistc subjectivism and the reserve with which he tries to hold back the ultimate secret of his personality. From now on the number of cranks, eccentrics, and psychopaths among the artists increases from day to day.”

ArtistsPsychopathMannerism
Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
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“Anyway, being afraid of a human being is nothing. We're here for such a short period of time, so what does it matter, scared, not scared; what matters is that we last. That's why the blue lotus is so important." "Why?" "In legends, immortals are attracted to its scent. Vampires, werewolves, that sort of thing. That's why the ancient Egyptians called it the scent of immortality." I took Levon's card out of my pocket and rotated the Magician between my fingers. Magical words for good or bad. "Gabriel told me that you painted werewolves." "I have painted the odd rougarou from time to time." "But you don't believe in them?" "I believe in immortality in whatever form it takes. Paintings, books, music, werewolves. They're all the same- the desire to last forever. In my opinion, every artist is a vampire or a werewolf, or a thief. All we want is to live on and on through the work we do and we'll take whatever we can from the people unlucky enough to be around us- their stories, pieces of their selves, their very souls if they'll let us, which they so often do with surprising ease- in order to reach our creative goals. How is that different from a vampire?”

BlueImmortalityVampiresArtistsWerewolvesLotusCryptidsRougarou
Book:Scent of Darkness
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“Your true power is not in your difference, but in your consistency of being different. The world will always adjust to consistency, yet struggle with change.”

DifferentInspirationNatureChangePowerSourceFutureUniqueInnovationAuthenticityConsistentControlWritersBrandingLongevityConsistencyStanding OutArtistsProjectionAuthorsNicheTrue NatureAuthentic SelfAuthenticRelationships 101BrandArtistic ExpressionStayingpositiveu ComThe Real YouBlending
Author:Shannon L. Alder
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“I learned this from Robert McKee. A hack, he says, is a writer who second-guesses his audience. When the hack sits down to work, he doesn't ask himself what's in his own heart. He asks what the market is looking for. The hack condescends to his audience. He thinks he's superior to them. The truth is, he's scared to death of them or, more accurately, scared of being authentic in front of them, scared of writing what he really feels or believes, what he himself thinks is interesting. He's afraid it won't sell. So he tries to anticipate what the market (a telling word) wants, then gives it to them. In other words, the hack writes hierarchically. He writes what he imagines will play well in the eyes of others. He does not ask himself, What do I myself want to write? What do I think is important? Instead he asks, What's hot, what can I make a deal for? The hack is like the politician who consults the polls before he takes a position. He's a demagogue. He panders.”

ArtCreativityAuthenticityWritersArtistsHacksSelling OutAudiencesHierarchical Mindset
Book:The War Of Art
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“Writing, music, sculpting, painting, and prayer! These are the three things that are most closely related! Writers, musicians, sculptors, painters, and the faithful are the ones who make things out of nothing. Everybody else, they make things out of something, they have materials! But a written work can be done with nothing, it can begin in the soul! A musical piece begins with a harmony in the soul, a sculpture begins with a formless, useless piece of rock chiseled and formed and molded into the thing that was first conceived in the sculptor's heart! A painting can be carried inside the mind for a lifetime, before ever being put onto paper or canvass! And a prayer! A prayer is a thought, a remembrance, a whisper, a communion, that is from the soul going to what cannot be seen, yet it can move mountains! And so I believe that these five things are interrelated, these five kinds of people are kin.”

WritingArtPrayerMusicPaintingWriters On WritingArtistsSculpting
Author:C. JoyBell C.
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“The object of art is not to make salable pictures. It is to save yourself. The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces. There is no special trick about writing or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.... The thing of course, is to make yourself alive. Most people remain all of their lives in a stupor. The point of being an artist is that you may live.... You won't arrive. It is an endless search.”

LifeWritingArtPracticeLivingMeaningArtists
Author:Sherwood Anderson
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“We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.”

ArtArtistCreativityArtistsCreative LifeArtists LifeMake ArtWriter LifeCreative Practice
Author:Jeanette LeBlanc
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“What did I think? Right then I was thinking about my father, specifically his habit of treating everyone with courtesy and consideration, of how he used to stop on lower Division Street and converse genially with old black men from the Hill whom he knew from his early days as a route man. His kindness and interest weren't feigned, nor did they derive, I'm convinced, from any perceived send of duty. His behavior was merely an extension of who he was. But here's the thing about my father that I've come to understand only reluctantly and very recently. If he wasn't the cause of what ailed his fellow man, neither was he the solution. He believed in "Do unto Others." It was a good, indeed golden, rule to by and it never occurred to him that perhaps it wasn't enough. "You ain't gotta love people," I remember him proclaiming to the Elite Coffee Club guys at Ikey's back in the early days. Confused by mean-spirited behavior, he was forever explaining how little it cost to be polite, to be nice to people. Make them feel good then they're down because maybe tomorrow you'll be down. Such a small thing. Love, he seemed to understand, was a very big thing indeed, its cost enormous and maybe more than you could afford if you were spendthrift. Nobody expects that of you, asny more than they expected you to hand out hundred-dollar bills on the street corner. And I remember my mother's response when he repeated over dinner what he'd told the men at the store. "Really, Lou? Isn't that exactly what we're supposed to do? Love people? Isn't that what the Bible says?”

Coming Of AgeArtistsLiterarySmall Town America
Book:Bridge of Sighs
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“So, really," continued Jacob as if this were perfectly normal to expound on art in these circumstances, "when you think about it, the artists who make people stop and think, who push the form, who make you uncomfortable, who are laughable, well, they're the ones who get remembered." Idly, Jacob dug a hole in the snow with his shovel and then another one next to it. "So why wouldn't you want to join the ranks of the ridiculed?”

ArtRidiculeArtistsLaughablePushing The LimitsMemorable Works
Book:North of Beautiful
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