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Beats Quotes

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Beats Quotes

“I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band - individuals, not session musicians.”

“The desert came into view ... sand and palm trees, a way of life that revolved around human beings without possessions or skills, who had to rely on their imaginations to contrive a way of making their hearts beat faster or even to keep them at a normal pace; to search unaided for a hidden gleam of light, and to live with two seasons a year instead of four.”

“I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.”

“There's no nation under the sun can beat the English for ill-politeness: for my part, I hate the very sight of them; and so I shall only just visit a person of quality or two of my particular acquaintance, and then I shall go back again to France.”

“Even after rowing in all these pieces, it's often hard to determine who will be selected because the decisive factor in seat racing is speed not margin. Boat X beats boat Y by two lengths over 1000 meters in a time of 2:54. After exchanging "Dave" from X to Y for "Scott," Boat X beats boat Y by one length in a time of 2:51. From the rower's perspective, the result is that Dave beats Scott by a length. But in Mike's eyes, Scott beats Dave because on the second piece, X was three seconds faster-even though it only beat Y by a length.”

“Government can only do two things: It can beat people up and kill them. Or it can threaten to do so. When it seems to be doing something else - for example, handing out money or, say, surplus cheese - what's actually going on is that something has been taken away from one set of individuals by deadly force or the threat of deadly force, a hefty middleman's fee deducted, and whatever is left thrown to peasants delighted to receive stolen goods.”

“When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image.”

“Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.”

“Woody Weatherman showed me two beats, the "do do dat, do do dat" rock beat and the "ooh at ooh at ooh at" punk beat and other than that I was pretty limited. I had just gotten a drum kit for Christmas, which I was stoked about so I was ready to go. Back then, the prerequisite for playing punk rock drums wasn't very high, it was really pretty generic as I'm sure you can imagine.”

“My two young producers, Fernando Perdomo and Chris Price, had to explain to me that there's a division right now between the two sides. They took three living, breathing percussionists to do the beats on the song "Intensity". We've got all kinds of layers, because I kept saying we didn't get all the beats. If you hear a synth, it's because I put my foot down. But I had to fight for it because they wanted it all totally organic.”

“You should love something while you have it, love it fully and without reservation, even if you know you'll lose it someday. We lose everything. If you're trying to avoid loss, there's no point in taking another breath, or letting your heart beat one more time. It all ends...That's all life is. Breathing in, breathing out. The space between two breaths.”

“The way to beat the Klitschkos is to get inside, under the jab, and bang to the body. Do that for two or three or four rounds and then the hands will come down and then you turn them over. It's like chopping a tree down. These guys try to headhunt when they fight them and that won't work. But you back them up, the younger brother especially, and he loses heart.”

“Two minds with but a single thought, two hearts that beat as one.”

“Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two; Thy soul, the fixed foot, makes no show To move, but doth if th' other do. And though it in the center sit, Yet when the other far doth roam, It leans and hearkens after it, And grows erect, as that comes home. Suth wilt thou be to me, who must Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I began.”

“Be proud, Bonito, pretty boy. You can go home and tell your father, Yes, I beat up Ender Wiggin, who was barely ten years old, and I was thirteen. And I had only six of my friends to help me, and somehow we managed to defeat him, even though he was naked and wet and alone--Ender Wiggin is so dangerous and terrifying it was all we could do not to bring two hundred.”

“In the two months I had also dated Justin Fellowes, this guy in my Spanish class, though after three weeks we decided we should "see other people," which in my case was a joke, but it beat hearing him remark on everything I ate. 'I don't know why girls are always on a diet,' he'd say when I ordered a Diet Coke, and 'You should watch your starch intake' when I had a muffin.”

“There used to be two kinds of kisses: First when girls were kissed and deserted; second, when they were engaged. Now there's a third kind, where the man is kissed and deserted. If Mr. Jones of the nineties bragged he'd kissed a girl, everyone knew he was through with her. If Mr. Jones of 1919 brags the same, everyone knows it's because he can't kiss her any more. Given a decent start any girl can beat a man nowadays.”

“What happens when she's not my memory anymore? What happens when she's not around to tell me about his belt leaving scars across my two-year-old brother's face or when he whacked her so hard that she lost her hearing for a week? Who'll be my memory?" Santangelo doesn't miss a beat. "I will. Ring me." "Same," Raffy says. I look at him. I can't even speak because if I do I know I'll cry but I smile and he knows what I'm thinking.”

“The heart is a hollow muscle, and it will beat billions of times during our lives. About the size of a fist, it has four chambers: two Atria and two ventricles. How this muscle can house something as encompassing as love is beyond me. Is this heart the one that loves? or do you love with your soul, which is infinite?I don't know. All I know is that I feel this love in every molecule in my body, every breath I take, all the infinity in my soul.”