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“We've got to control our own energy. Now, not only oil and natural gas, which we've been investing in; but also, we've got to make sure we're building the energy source of the future, not just thinking about next year, but ten years from now, 20 years from now. That's why we've invested in solar and wind and biofuels, energy efficient cars.”

“Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.”

“There's that older poem of John Ashbery's-"America"-with the pun "I'm a wrecker," so wreckage and building out of the ashes of that. We're haunted by the genocide that is America, the decimation of so many native cultures. As a mix-blood European ancestry American, you're a nexus of all those violences, and yet there's a relative personal identity as well.”

“The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.”

“My father died at 42, of a heart attack. My mother was 32 then. She never wanted to be a victim. And that really resonated as a nine-year-old child. And one of the most revealing things was, very soon after my father died - he was in real estate and he owned some modest buildings - they came to my mother, the men that worked for him, and they said, "You don't have to worry. We will run the business and we will take care of you." And my mother said, "No, you won't. You will teach me how to run the business and I will take care of it and my children."”

“I didn't think that at the beginning. I just wanted to have a garden and a farm and have animals around me. But I do think there's a craving for people to feel a connection. Honestly, it's building on an immigrant tradition, where you bring your country to America. You bring your seeds from Italy. My neighbors are Vietnamese, so they're growing their herbs and stuff that they miss from Vietnam.”

“Sometimes I'm drawing onto a computer directly, sometimes I'm drawing on paper , so I can't really talk about drafts. It's just like having soft clay until it hardens. At least as much of the problem has to do with the decisions of what to represent, how to represent that, and how to reduce it down. The words in the balloons aren't particularly poetic necessarily, but it has the same problem as poetry, which is that one has to do great reduction. And if I tried to draw everything, you'd just have a tangled mess of a picture. The stripping down takes much longer than building up.”

“Perhaps one could appoint three or four professional people specially concerned with the task of bridge building between the majority and the minority. Bridge building of this kind requires an effort from both sides. It's no good if the majority alone do it. The question is whether there is any response, whether people on the other side of the river also wish to try to build a bridge.”

“The big frustration for me is that people are growing so cynical about politics that you see them basically shrug and say, "Oh, yeah. Who cares that Harper is shutting down debate? Who cares that he's building prisons, and everything? All the politicians are the same so why should we be outraged about one rather than the other?" And my point is Canadians need to wake up. This is not the Canada they'd recognize if they looked closely.”

“Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.”

“When a building is so complete within itself, I always think, "Why do I even have to go inside it?" I would love to do architecture that people can have a free hand in the making of it. We've done spaces where things are hinged and they can go out or in, but that's not freedom. That's supermarket freedom, or the notion that you can have anything you want as long as the supermarket carries it. We would love to do a space where you go inside and there's nothing there. You might have a seat and when you don't need it anymore you get up and it disappears.”

“Most people assume because I'm an actor that's all I know about and care about, I'm actually a camera geek and a film geek. I grew up making short films the same time I was acting. For me, it's a motion picture, not a play. I'm just as interested in what the camera department is doing and world building through costume design and production design as I am in acting. I think all good directors do that whether they're an actor or not.”

“Those who seek to improve our country through peaceful protest and protected speech, I want you to know that your voice is important. Do not be discouraged by those who use your lawful actions as a cover for their heinous violence. We will continue to safeguard your constitutional rights and to work with you in the difficult mission of building a better nation and a brighter future.”

“The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.”

“As an individual, you know what you are good at and what you're not good at, so over time as you are hiring, you should be hiring for the skill requirements as the rule, but you should also be thinking, "What am I less good at?" and knowing you need to hire those people to create a stronger team. Different personalities are good at different things, but as a leader and and entrepreneur, it often has to start with you and building around your shortcomings.”

“When you've got Jews and Christians, Muslims, Sikhs and Hindus removing graffiti from buildings, or getting drug dealers off the street, that's side by side. When you do that, you take it from the very elevated level of interfaith dialogue to the street level of neighbors. You get them working side by side, and they become friends. Friendship sometimes counts for more than interfaith agreement or understanding. Friendship is deeply human.”

“Fathers are very, very important in building the foundations and self-esteem of children. For me, the way that I was raised, consideration, courtesy and manners are really key and I think the father plays a big role in setting an example to children in how to behave out in the world and how to treat people. It's a little bit different when it comes from the dad rather than the mum somehow.”

“First of all, when building a brand you have to know who you are, what you are, and what you stand for. That's clichéd marketing-bullshit jargon, but it does matter. It helps. You have to know who you're targeting. I think too many people fight the market. There are certain people who are never going to want your stuff no matter what you do. There are certain people are never going to love me because I curse and I have bravado and I'm a Jersey boy and I'm brash and they won't take the time to see the humility and the patience and the truth. They shouldn't.”

“It takes 10 years to get all the permits to build a bridge today. Ten years? What happened to the good old can-do America? Where is "We get it done, we work together"? We've become this bureaucratic, stifling environment. I'm not talking about violating environmental things - I'm talking about building a bridge, getting things going, getting people to work together.”

“All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.”

“Art and the triumph of the human spirit - the two combined thrill me. It's the "Braveheart" moment, the stuff Joseph Campbell talks about, "the heroes journey," a beautiful documentary on a poignant topic, the fireman saving a kitten from a burning building. It's the combo of heroism and kindness against the odds or even good reason. It implies immortality because it is the domain of the soul. That evidence of the spirit of life is what makes me get out of bed in the morning.”

“I think it's kind of a stretch. You know, it's one thing if somebody working for the U.S. government has sold secrets to the other side, it's another if they have something in their personal life that they're hiding for which they could be blackmailed. Having evidence that they didn't tell the truth to somebody in the same building where they work, maybe it's just the old intel guy, is - it's a problem.”