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“It's fun when the writers start writing jokes to you, but also it's fun when the writers will come to you and say 'Hey, listen, we're working on this story and we need to know if you speak any foreign languages.' And I said 'No, I don't. I speak a little Spanish, but I can learn a foreign language.' And they go 'Okay, do you think you can learn Portuguese?' And I go 'Yeah, whatever it takes. If it's funny, I'll do it.' So of course I start looking online and learning Portuguese, and as it turns out, I get the script and it's now Serbian.”

“I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.”

“I think that even in a drama, we all want to smile, and laugh because what a horrible life if we're just like "I'm in a drama." And so I think in everything you're trying to look for the humor, even if it's a dark scene, because most people want to have fun in life, as opposed to have a boring time, a terrible time.”

“It's interesting for me to do the commentary with the actors because, as a director, you're so in your own world that you see it from your perspective, your issues and what you were trying to do, and then it's really very fun to hear their perspective on how it was to do a particular scene or how they felt, and sometimes, I didn't even know that, at the time.”

“Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to.”

“I love filmmaking when fate is a part of the process and you are dependent on the laws of physics and the elements to get a single moment that transports or in some way creates an illusion even for a moment. I think that is tremendous fun and what I think filmmaking is, catching lightning in a bottle.”

“One of my fun road trips was [when] a group of guys and I rented a tour bus and we started in Orlando and drove all the way around the country going to baseball games. That was an awesome trip because each night we would go to a new baseball stadium, watch a baseball game, get in the bus, wake up [in] the next city, go to another baseball game. We did this for a little while and it was great. We called that trip the Rats on the Bus and it was a fun trip.”

“I would not like to live in the past because you don't get anesthetic when you go to the dentist. You don't get antibiotics. You don't get the things that you are used to now, cell phones and televisions and things that are very convenient. You don't want that. But, it would be fun if you could, every now and then, just meet a friend for lunch at Maxim's in Paris in 1900, or go back to 1870 just for a couple of hours, take a walk in the park, and then come right back to Broadway.”

“There's a lot of time sitting in movies, so you can put alligators in people's trailers in your spare time. So it [making a film] moves slower, which in some ways is great, because you can live with a scene and invest in it a lot. And in some ways it's hard, because sometimes you can start to lose your energy a little bit, but both are fun.”