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Objects Quotes

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Objects Quotes

“Persons without education certainly do not want either acuteness or strength of mind in what concerns themselves, or in things immediately within their observation; but they have no power of abstraction, no general standard of taste, or scale of opinion. They see their objects always near, and never in the horizon. Hence arises that egotism which has been remarked as the characteristic of self-taught men.”

MenWantMindPersonsHas BeensSelfOpinionObjectsTaughtTasteStandardsConcernScalesAriseObservationCharacteristicsHorizonAbstractionEgotismStrength Of MindSelf Taught
Book:Delphi Collected Works of William Hazlitt (Illustrated)
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“What I mean by living to one's-self is living in the world, as in it, not of it: it is as if no one know there was such a person, and you wished no one to know it: it is to be a silent spectator of the mighty scene of things, not an object of attention or curiosity in it; to take a thoughtful, anxious interest in what is passing in the world, but not to feel the slightest inclination to make or meddle with it.”

IfsKnowsWorldFeelsMeanPersonsSelfInterestAttentionObjectsSceneSilentCuriosityPassingPassingsThoughtfulAnxiousInclinationSpectators
Book:Table-talk: Or Original Essays
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“What I have to do is utilize as best I can the ideas which objects suggest to me, connect, fuse, and color in my way the shadows they cast within me, illumine them from the inside. And since of necessity my vision is quite different from that of the next man, my painting will interpret things in an entirely different manner even though it makes use of the same elements.”

MenWayI CanIdeasDifferentUseNextVisionObjectsColorPaintingElementsShadowCastsMy WayOriginalityFuse
Author:Pablo Picasso
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“The light for drawing from nature should come from the North in order that it may not vary. And if you have it from the South, keep the window screened with cloth, so that with the sun shining the whole day the light may not vary. The height of the light so arranged as that every object shall cast a shadow on the ground of the same length as itself.”

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Book:The notebooks of Leonardo da Vinci
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“There are three aspects to perspective. The first has to do with how the size of objects seems to diminish according to distance: the second, the manner in which colors change the farther away they are from the eye; the third defines how objects ought to be finished less carefully the farther away they are.”

FirstsSeemsEyeThreeObjectsColorPerspectiveOughtAspectThirdsDistanceSizeFinishedDiminish
Book:Leonardo da Vinci's advice to artists
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“The difference is as great between The optics seeing as the objects seen. All manners take a tincture from our own; Or come discolor'd through out passions shown; Or fancy's beam enlarges, multiplies, Contracts, inverts, and gives ten thousand dyes.”

GivingPassionDifferencesSeeingObjectsThousandTenMannersFancyContractsBeamOpticsInvert
Book:An Essay on Man: In Four Epistles to H. St. John (Lord Bolingbroke). To which are Added, The Universal Prayer, An Essay on the Knowledge and Character of Men, and Other Pieces, with Notes
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“It is probable that there is no one thing that it is of eminent importance for a child to learn. The true object of juvenile education, is to provide, against the age of five and twenty, a mind well regulated, active, and prepared to learn. Whatever will inspire habits of industry and observation, will sufficiently answer this purpose.”

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Book:The Enquirer: Reflections on Education, Manners, and Literature. In a Series of Essays
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“Since man does not create physical matter, those who handle material objects in the production process are not producers in that sense. Economic benefits result from the transformation of matter in form, location, or availability (intellectually or temporally). It is these transformations that create economic benefits valued by consumers, and whoever arranges such transformations contributes to the value of things, whether his hands actually come into contact with physical objects or not.”

MenDoeMatterHandsFormValuesProcessResultsEconomicObjectsMaterialsBenefitsTransformationProductionsHandleContactProducersConsumersLocationAvailability
Author:Thomas Sowell
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“Draw things that have some meaning to you. An apple, what does it mean? The object drawn doesn't matter so much. It's what you feel about it, what it means to you. A masterpiece could be made of a dish of turnips.”

FeelsMeanDoeMadeMatterObjectsDrawsApplesDishesMasterpieceTurnips
Book:Letters: selected and edited with an introd. and notes by Howard Mumford Jones, in association with Walter B. Rideout
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“the senses alone are not implicitly to be depended on. We must correct their evidence by reason, and by considerations, derived from the nature of the medium, the distance of the object, and the disposition of the organ, in order to render them, within their sphere, the proper criteria of truth and falsehood.”

ReasonOrderObjectsEvidenceDistanceSensesMediumsConsiderationSpheresOrgansFalsehoodMetaphysicsDispositionCriteriaTruth And Falsehood
Book:Delphi Complete Works of David Hume (Illustrated)
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“For a hundred years, modern painters, stubbornly and in the face of incessant hostility, have moved, step by step, leaving superb monuments by the wayside, towards an art of arrangement whose expressiveness depends less and less upon its elements imitating the objects of the external world.”

WorldYearsArtFacesStepsModernObjectsDependsElementsHundredMovedLeavingPainterArrangementsHostilityMonumentModernismImitatingSuperbIncessant
Book:The Collected Writings of Robert Motherwell
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“It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.”

FirstsArtCharacterLightEyeTurnsObjectsColorMastersDegreesHighestMarkRegardExcellenceShadeStrokes
Book:Discourses on Painting and the Fine Arts, Delivered at the Royal Academy
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“The art of seeing nature, or, in other words, the art of using models, is in reality the great object, the point to which all our studies are directed.”

ArtRealityStudySeeingObjectsModels
Book:The Works of Sir Joshua Reynolds: Containing His Discourses, Idlers, A Journey to Flanders and Holland, and His Commentary on Du Fresnoy's Art of Painting; to which is Prefixed an Account of the Life and Writings of the Author by Edward Malone
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