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“Bourgeois political economy ... never gets to see man who is its real subject. It disregards the essence of man and his history and is thus in the profoundest sense not a 'science of people' but of non-people and of an inhuman world of objects and commodities.”

“In [Aristotle's] formal logic, thought is organized in a manner very different from that of the Platonic dialogue. In this formal logic, thought is indifferent toward its objects. Whether they are mental or physical, whether they pertain to society or to nature, they become subject to the same general laws of organization, calculation, and conclusion - but they do so as fungible signs or symbols, in abstraction from their particular "substance." This general quality (quantitative quality) is the precondition of law and order - in logic as well as in society - the price of universal control.”

“Waiting is directed at nothing: any object that could gratify it would only efface it. Still, it is not confined to one place, it is not a resigned immobility; it has the endurance of a movement that will never end and would never promise itself the reward of rest; it does not wrap itself in interiority; all of it falls irremediably outside.”

“True love is not the helpless desire to possess the cherished object of one's fervent affection; true love is the disciplined generosity we require of ourselves for the sake of another when we would rather be selfish; that, at least, is how I have taught myself to love my wife.”

“Every object in nature is impressed with God's footsteps, and every day repeats the wonders of creation. There is not an object, be it pebble or pearl, weed or rose, the flower-spangled sward beneath, or the star-spangled sky above, not a worm or an angel, a drop of water or a boundless ocean, in which intelligence may not discern, and piety adore, the providence of Him who took our nature that He might save our souls.”

“The main object of the work was to present such a survey of the advances already made in physical knowledge, and of the mode in which they have been made, as might serve as a real and firm basis for our speculations concerning the progress of human knowledge, and the processes by which sciences are formed.”

“Cognitive states of mind are seldom addictive, since they depend upon exploration of the world, and the individual encounter with the individual object, whose appeal is outside the subject's control. Addiction arises when the subject has full control over a pleasure and can ponder it at will. It is primarily a matter of sensory pleasure, and involves a kind of short-circuiting of the pleasure network. Addiction is characterized by a loss of the emotional dynamic that would otherwise govern an outward-directed, cognitively creative life.”

“The laws of thought are natural laws with which we have no power to interfere, and which are of course not to be in any way confused with the artificial laws of a country, which are invented by men and can be altered by them. Every science is occupied in detecting and describing the natural laws which are inflexibly observed by the objects treated in the Science.”

“PLEASURE and pain are undoubtedly the ultimate objects of the calculus of economics. To satisfy our wants to the utmost with the least effort - to procure the greatest amount of what is desirable at the expense of the least that is undesirable - in other words, to maximize pleasure, is the problem of economics.”

“The trouble is that privacy is at once essential to, and in tension with, both freedom and security. A cabinet minister who keeps his mistress in satin sheets at the French taxpayer's expense cannot justly object when the press exposes his misuse of public funds. Our freedom to scrutinise the conduct of public figures trumps that minister's claim to privacy. The question is: where and how do we draw the line between a genuine public interest and that which is merely what interests the public?”

“As we cleared the passage we found mixed with the rubble broken potsherds, jar seals, and numerous fragments of small objects; water skins lying on the floor together with alabaster jars, whole and broken, and coloured pottery vases; all pertaining to some disturbed burial, but telling us nothing to whom they belonged further than by their type which was of the late XVIIIth Dyn. These were disturbing elements as they pointed towards plundering.”

“How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.”

“The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world - in other words - expressing the energy , the motion and the other inner forces ... the modern artist is working with space and time , and expressing his feelings rather than illustrating.”

“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

“Pleasure and pain at once register upon the lover, inasmuch as the desirability of the love object derives, in part, from its lack. To whom is it lacking? To the lover. If we follow the trajectory of eros we consistently find it tracing out this same route: it moves out from the lover toward the beloved, then ricochets back to the lover himself and the hole in him, unnoticed before. Who is the subject of most love poems? Not the beloved. It is that hole.”

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

“Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).”

“Sex itself only only exists in relation to procreation. That's one of the reasons why I sometimes object, and it's just a theoretical objection, but it's worth thinking about, to the whole notion that one calls what people of the same sex do, sexual relations. As a matter of fact, they have precisely turned their back on sexual relations, in order to engage in acts of mutual pleasure that have nothing whatsoever to do with sexuality...”

“When I say that terrorism is war against civilization, I may be met by the objection that terrorists are often idealists pursuing worthy ultimate aims -- national or regional independence, and so forth. I do not accept this argument. I cannot agree that a terrorist can ever be an idealist, or that the objects sought can ever justify terrorism. The impact of terrorism, not merely on individual nations, but on humanity as a whole, is intrinsically evil, necessarily evil and wholly evil.”

“First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is.”

“The constitutionality and propriety of the Federal Government assuming to enter into a novel and vast field of legislation, namely, that of providing for the care and support of all those ... who by any form of calamity become fit objects of public philanthropy. ... I cannot find any authority in the Constitution for making the Federal Government the great almoner of public charity throughout the United States. To do so would, in my judgment, be contrary to the letter and spirit of the Constitution and subversive of the whole theory upon which the Union of these States is founded.”

“Economists tell us that the 'price' of an object and its 'value' have very little or nothing to do with one another. 'Value' is entirely subjective economic value, anyway while 'price' reflects whatever a buyer is willing to give up to get the object in question, and whatever the seller is willing to accept to give it up. Both are governed by the Law of Marginal Utility, which is actually a law of psychology, rather than economics. For government to attempt to dictate a 'fair price' betrays complete misunderstanding of the entire process.”

“Most of us agree that the United Nations is the vanguard of a foreign invasion and must be driven from our shores. Liberalism - Progressivism - all forms of left wing collectivism, are equally alien to the Founders' America and must be extirpated, root and branch, laughter and derision being the most effective weapons. Look at the way they have reduced Hillary Clinton to an insignificant greasy spot on the pages of history, turned Albert Gore into an object of merriment, and are accomplishing the same for Barry and Micky Obama.”

“From this new point of view, the universe I had inhabited became an object I could perceive in its entirety. It was a hypersphere embedded in a cloud of alternative states - the sum of all possible quantum trajectories from the big bang to the decay of matter. "Reality" - history as we had known or inferred it - was only the most likely of these possible trajectories. There were countless others, real in a different sense: a vast but finite set of paths not taken, a ghostly forest of quantum alternatives, the shores of an unknown sea.”

“Are we all not, when we sit in the cinema, in the position of humans in The Matrix, tied to chairs, immersed in the spectacle run by a machine? However, a more appropriate allegory is that of the viewer himself: beneath the illusion that we "just look" at the perceived objects from a safe distance, freely sliding along them, there is the reality of the innumerable ties that bind us to what we perceive.”

“Convinced that character is all and circumstances nothing, [the Puritan] sees in the poverty of those who fall by the way, not a misfortune to be pitied and relieved, but a moral failing to be condemned, and in riches, not an object of suspicion ... but the blessing which rewards the triumph of energy and will.”

“I HAVE no patience with the hypothesis occasionally expressed, and often implied, especially in tales written to teach children to be good, that babies are born pretty much alike, and that the sole agencies in creating differences between boy and boy, and man and man, are steady application and moral effort. It is in the most unqualified manner that I object to pretensions of natural equality. The experiences of the nursery, the school, the University, and of professional careers, are a chain of proofs to the contrary.”

“In the early days the Cubism' method of grasping an object was to go round and round it. The Futurists declared that one had to get inside it. In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.”

“It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S.' (1912) and the 'Seated Woman' (1914).”