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Objects Quotes

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Objects Quotes

“You can purchase the mind of Pascal for a crown. Pleasures even cheaper are sold to those who give themselves up to them. It is only luxuries and objects of caprice that are rare and difficult to obtain; unfortunately they are the only things that touch the curiosity and taste of ordinary men.”

“If the sewing societies, the avails of whose industry are now expended in supporting and educating young men for the ministry, were to withdraw their contributions to these objects, and give them where they are more needed, to their advancement of their own sex in useful learning, the next generation might furnish sufficient proof, that in intelligence and ability to master the whole circle of sciences, woman is not inferior to man.”

“If I am allowed to give a metaphorical allusion to the future state of the blessed, I should imagine it by the orange-grove in that sheltered glen on which the sun is now beginning to shine, and of which the trees are at the same time, loaded with sweet golden fruit and balmy silver flowers. Such objects may well portray a state in which hope and fruition become one eternal feeling.”

“All this care for the world, we must believe, is taken by the Gods without any act of will or labor. As bodies which possess some power produce their effects by merely existing: e.g. the sun gives light and heat by merely existing; so, and far more so, the providence of the Gods acts without effort to itself and for the good of the objects of its forethought. This solves the problems of the Epicureans , who argue that what is divine neither has trouble itself nor gives trouble to others.”

“I desire to unite Myself to human souls, Know, My daughter, that when I come to a human heart in Holy Communion, My hands are full of all kinds of graces which I want to give to the soul. But souls do not even pay any attention to Me; they leave Me to Myself and busy themselves with other things... They treat Me as a dead object.”

“There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.”

“The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which mankind is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshiped for their life-giving beauty rather than their death-dealing powers.”

“Nature cannot be tricked or cheated. She will give up to you the object of your struggles only after you have paid her price.”

“The excitement of theatre is palpable but the frustrations, and the complete absence of a definitive evening - the play as text means practically nothing in a way - , there's no particular performance that is definitive in the way a novel is a solid object you hold in your hands and here it is. You can't say that about a play. If the novel gives us a sense of throbbing consciousness, theater is pure soul, beautiful and elusive.”

“The Soviet Union and something called communism per se had not been the object of Washington's global attacks. There had never been an International Communist Conspiracy. The enemy was, and remains, any government or movement, or even individual, that stands in the way of the expansion of the American Empire; by whatever name the US gives to the enemy - communist, rogue state, drug trafficker, terrorist.”

“It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.”

“When it happens that a person has to give up a sexual object, there quite often ensues an alteration of his ego which can only be described as a setting up of the object inside the ego, as it occurs in melancholia; the exact nature of this substitution is as yet unknown to us.”

“To the engineer, all matter in the universe can be placed into one of two categories: (1) things that need to be fixed, and (2) things that will need to be fixed after you've had a few minutes to play with them. Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.”

“I wanted to make a site where I wasn't mailing physical things to people, but I was still giving people things, and I would have this relationship with that person, and if that person was interested in the object, they would have to email me and I would send that object digitally to them. So, I wanted the relationship with that person, however brief, and I wanted to spread the digital record of the things I have.”

“Thought is not what inhabits a certain conduct and gives it its meaning; rather, it is what allows one to step back from this way of acting or reacting, to present it to oneself as an object of thought and to question it as to its meaning, its conditions, and its goals. Thought is freedom in relation to what one does, the motion by which one detaches from it, establishes it as an object, and reflects on it as a problem.”

“When I teach a class I often give the assignment: Photograph someone you love. I ask people to do this so they have a subject about whom they have feelings, a subject that is more than a model, or an object, or a shape, or an idea. In this way, they can judge the result not only by its technical success, but also by how well it describes their feelings.”

“[The artist's aim is] not to instruct the viewer, but to give him information... . The artist would follow his predetermined premise to its conclusion, avoiding subjectivity. Chance, taste, or unconsciously remembered forms would play no part in the outcome. The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloguing the results of his premise.”

“The common people do not accurately adapt their thoughts to objects; nor, secondly, do they accurately adapt their words to their thoughts; they do not mean to lie; but, taking no pains to be exact, they give you very false accounts. A great part of their language is proverbial; if anything rocks at all, they say it rocks like a cradle; and in this way they go on.”

“All the things you need in the death transition, you need now in the life transition, because life is a transition, it is a between state. Therefore, every night when you fall asleep, it's like you die. And every time you do, you should be using the process of falling asleep as giving up your attention to sense objects, your discursive ruminating thoughts and so on. You should use that as a process of giving up and giving yourself completely to the universe and becoming completely obliterated.”

“Many painters had a clear idea of what fractals are. Take a French classic painter named Poussin. Now, he painted beautiful landscapes, completely artificial ones, imaginary landscapes. And how did he choose them? Well, he had the balance of trees, of lawns, of houses in the distance. He had a balance of small objects, big objects, big trees in front and his balance of objects at every scale is what gives to Poussin a special feeling.”

“A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.”

“When the child sees the parent looking for something, it is as natural for it also to look for the object and to give it over when it finds it, as it was, under other circumstances, to receive it. Multiply such an instance by the thousand details of daily intercourse, and one has a picture of the most permanent and enduring method of giving direction to the activities of the young.”

“So we [with Kate DiCamillo] decided to give the friends an object and see what they did with it. The object was a sock and it went from there. Once we got going, once we got on a roll, it became very easy to work together and to figure out how to do it. We would meet for two-hour segments, usually from 10-12, two or three times a week. We met all one summer, and I think into the fall.”

“In arriving at the relevant theory about the specifics of our faculty of vision we will presumably use our eyes to gather relevant data. Based on such data we come to know about the optic nerve, the structure of our eyes, the rods and cones, etc., so as to explain how it is that vision gives us reliable access to the shapes and colors of objects around us. In reliably arriving at that theory we thus exercise the very faculty whose reliability is explained by the theory. There is no vice in this sort of circularity.”

“How do you, on the one hand, not object to Hillary Clinton being elected, and then, on the other hand, tell people, "Elect me to stop her"? It seems like they're giving themselves a really tough position to occupy here, be they governors, senators, congressional members of the House of Representatives. They want to stop Hillary but not enough to keep her out of the White House. "So she'll get in there, but you need to elect us to put the brakes on her."”

“I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.”

“He who gives himself to a lover because he is a good man, and in the hope that he will be improved by his company, shows himself to be virtuous, even though the object of his affection turn out to be a villain, and to have no virtue; and if he is deceived he has committed a noble error. For he has proved that for his part he will do anything for anybody with a view to virtue and improvement, than which there can be nothing nobler.”