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Old Quotes

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Old Quotes

“With regard to things such as independence, mental capabilities, and sexuality, a very old man is nothing but a gigantic infant with white hair and wrinkles.”

“For me- and for everybody else, probably- this is my first experience growing old, and the emotions I'm having, too, are all first-time feelings. If it were something I'd experienced before, then I'd be able to understand it more clearly, but this is the first time, so I can't. For now all I can do is put off making any detailed judgments and accept things as they are. Just like I accept the sky, the clouds, and the river. And there's also something kind of comical about it all, something you don't want to discard completely.”

“The truth is I was addicted to being beautiful, and that’s not something you just walk away from. Being addicted to all that attention, I had to quit cold turkey. I could shave my head, but hair grows back. Even bald, I might still look too good. Bald, I might get even more attention. There was the option of getting fat or drinking out of control to ruin my looks, but I wanted to be ugly, and I wanted my health. Wrinkles and aging looked too far off. There had to be some way to get ugly in a flash. I had to deal with my looks in a fast, permanent way or I’d always be tempted to go back.”

“Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.”

“A beautiful woman should always have at the back of her mind that her ravishing appearance is only an ephemeral quality. When she wakes up in the morning, looks into the mirror, and notices that something is fading away, she knows that the time is ripe for marriage. She should be careful of who she takes into her life because the union is gonna be everlasting.”

“Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –”

“Life is a process during which one initially gets less and less dependent, independent, and then more and more dependent.”

“Some social ills are preserved by the common misbelief that things such as ignorance, greed, and stupidity do not have the stamina required to reach old age.”

“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.”

“A clock that is moving through space at a very fast speed does not tick at the same rate as a slow-moving watch gently attached to your wrist as you stroll on a tropical beach. The idea of a universal time - a godlike clock that could somehow sit outside our universe and measure, in one go, the movement of everything in it, how its evolution unfolds, how old it is and all that - does not exist.”

“18. Your life is before you. Be careful of the choices you make now that you could regret later. This regret is the subject of an old poem whose author has been forgotten. I hope you’ll never have reason to apply it to yourself. Across the fields of yesterday, He sometimes comes to me A little lad just back from play— The boy I used to be. He looks at me so wistfully When once he’s crept within; It is as if he hoped to see The man I might have been.”

“He used to be like a Snake Oil Salesman in the wild west hawking his wares in the town square as if at the carny. Branded tower condos. Steaks. Deodorant. Water. Vodka. Ostensible educations--those were pure scam. Sneakers. Playing cards. NFTs. Bibles. Swatches of his found-guilty suit. A Used Car salesman selling cars designed to run just long enough off the lot to get him the bucks and the battle win and plow down everyone around him. But now he's desperate, losing even his ability to coerce and con, which is the only ability he ever had.”

“He's already been president. We know his policies, his jurist picks, and all his methodologies. We know who he cozies up to and who he leaves out in the cold and diseased air... He's become a Used Trump Salesman. And all his marketers, campaign officials, and media strategists are Used Trump Salesmen with a desperate, deteriorating Used Trump they're equally as desperate to sell.”

“A Second Childhood.” When all my days are ending And I have no song to sing, I think that I shall not be too old To stare at everything; As I stared once at a nursery door Or a tall tree and a swing. Wherein God’s ponderous mercy hangs On all my sins and me, Because He does not take away The terror from the tree And stones still shine along the road That are and cannot be. Men grow too old for love, my love, Men grow too old for wine, But I shall not grow too old to see Unearthly daylight shine, Changing my chamber’s dust to snow Till I doubt if it be mine. Behold, the crowning mercies melt, The first surprises stay; And in my dross is dropped a gift For which I dare not pray: That a man grow used to grief and joy But not to night and day. Men grow too old for love, my love, Men grow too old for lies; But I shall not grow too old to see Enormous night arise, A cloud that is larger than the world And a monster made of eyes. Nor am I worthy to unloose The latchet of my shoe; Or shake the dust from off my feet Or the staff that bears me through On ground that is too good to last, Too solid to be true. Men grow too old to woo, my love, Men grow too old to wed; But I shall not grow too old to see Hung crazily overhead Incredible rafters when I wake And I find that I am not dead. A thrill of thunder in my hair: Though blackening clouds be plain, Still I am stung and startled By the first drop of the rain: Romance and pride and passion pass And these are what remain. Strange crawling carpets of the grass, Wide windows of the sky; So in this perilous grace of God With all my sins go I: And things grow new though I grow old, Though I grow old and die.”

“He turned to take one last look at the Old People’s Home that – until a few moments ago – he had thought would be his last residence on Earth, and then he told himself that he could die some other time, in some other place. The hundred-year-old man set off in his pee-slippers (so called because men of an advanced age rarely pee further than their shoes), first through a park and then alongside an open field where a market was occasionally held in the otherwise quiet provincial town.”