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Performance Quotes

Browse 261 quotes about Performance.

Performance Quotes

“Even the world’s greatest actor cannot fake an erection.”

“Our desire not to be inferior to others in terms of performance, combined with the idea that we can freely choose to go the extra mile, can lead to self-exploitation. We force ourselves to go beyond what is good for us — until we burn out.”

“Did you know Anthony was a slave?" Letty asked one night in hall. Unlike Victoire, she was determined to raise the issue at every opportunity; indeed, she was obsessed with Anthony's death in a way that felt uncomfortably, performatively righteous. "Or would have been. His master didn't want him freed when abolition took effect, so he was going to take him to America, and he only got to stay at Oxford because Babel paid for his freedom. Paid. Can you believe it?" Robin glanced to Victoire, but her face had not changed one bit. "Letty," she said very calmly, "I am trying to eat.”

“I saw myself as a person that wanted to build their own house and was aware that I needed to have all the skills and know-how of house building. I knew I needed to learn everything from design to bricklaying to painting to electrics if I wanted to have the house that I envisioned. I am a very much a hands-on person and I learn from doing. Hopefully I can now pass on some of what I have learned on to you.”

“This hour I tell things in confidence. I might not tell everybody, but I will tell you. To publish these lines is, of course, to tell everybody. Much as he wants to take us into his confidence, seduce with the warmth and directness of his voice, he's also making one of his sly jokes: he's created an intimacy with all the doors and windows open, in which you could be anyone at all. Even as I laugh at the line, I feel the gesture of his arm around my shoulder, drawing my ear nearer his mouth. What is the difference, in a poem, between performed intimacy and the real thing? What, in a work of art, is not performed? Whitman, perhaps more than any poet before him, explored and exploited poetry's strange duality. In the best poems, we feel the poet's breath, the almost-physical presence of the speaker created by all the tools at the writer's disposal. I sometimes feel that Walt has just walked into the room, as present now as he ever was, a sensual, breathing body that he somehow seems to have constructed of nothing but words.”

“Спектакль досконало опанував цю техніку: спершу суспільство втрачає будь-яке уявлення про теперішнє, а згодом забувається все, що хоч якось, нехай і неповно, було осмислено про минуле.”

“There comes a time when one suddenly discovers that there will never be a time for the coming of the perfect person, or believe that God sends people from heaven, so one finds a random fellow, either righteous or unrighteous, excellent or Impaired, and in no time become what God had ordained.”

“Drag wasn’t a disguise or an illusion; it was armor. When he stepped onstage, Axel became someone fierce and untouchable, a force of nature that gave no fucks and couldn’t be bothered. He brought hecklers to their knees, read homophobes until they needed the Da Vinci Code to piece their dignity back together, and faced the worst with a smart remark and a tongue pop. Lisel was both shield and weapon, the only refuge he’d had from these ugly years.”