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Terror Quotes

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Terror Quotes

“Traumas embed when our system is overwhelmed by pain and fear without having sufficient internal resources or companionship to help integrate the experience ... Our people may see others being present, but as either unavailable for support or actively injurious, or the experience may have been so terrifying that even had someone tried to help, our people might not have been able to receive it ... what remains now is a sense of isolation with the remaining anguish and terror. Over the years, I have found that as soon as a sense of accompaniment enters the memory, there is a new foundation for doing the work. Just as our people have internalized those who injured them, that same capacity can bring us inside to support processing the emotions and to resolve this primary wound of being alone.”

“He wrote of the ordinary soldiers, the 'dogfaces,' and their bravery, and their misery, and the terribleness of their deaths. 'Dead men had been coming down the mountain all evening, lashed onto the backs of mules,' he wrote from Italy, describing a soldier who stopped to sit by the body of a captain, holding the dead man's hand. 'Finally he put the hand down. He reached up and gently straightened the points of the captain's shirt collar, and then he sort of rearranged the tattered edges of his uniform around the wound, and then he got up and walked away down the road in the moonlight, all alone.”

“For the first time in his life, Mont Blanc for a moment looked to him what it was - a chaos of anarchic and purposeless forces - and he needed days of repose to see it clothe itself again with the illusions of his senses, the white purity of its snows, the splendor of its light, and the infinity of its heavenly peace. Nature was kind; Lake Geneva was beautiful beyond itself, and the Alps put on charms real as terrors.”

“There is a wide yawning black infinity. In every direction the extension is endless, the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce. But most of all, there is very nearly nothing in the dark; except for little bits here and there, often associated with the light, this infinite receptacle is empty. This picture is strangely frightening. It should be familiar. It is our universe. Even these stars, which seem so numerous, are, as sand, as dust, or less than dust, in the enormity of the space in which there is nothing. Nothing! We are not without empathetic terror when we open Pascal’s Pensées and read, 'I am the great silent spaces between worlds.' [From an undated, handwritten piece of text from the early 1950s which Sagan wrote when he was an undergraduate at the University of Chicago]”

“It was an unfamiliar feeling, waking up with a place to go, a place I was actually beginning to comprehend and face without a sense of terror. More than that, I was even questioning the assumption that I was, in my bones, a scared and anxious and miserable person. It felt like the days were almost supernaturally good, that I could wake up without the usual wave of terror, that the days were admixed with some foreign substance dripping into them, some animating essence, like the dragonborn races of Endoria, dragonborn days. I felt like I'd stumbled on one of the open secrets of the world. Why hadn't I realized before that being a grown-up could be anything you wanted it to be?”

“I don't do what I'm doing to fight terror. ... I do it because I care about kids. Fighting terror is maybe seventh or eighth on my list of priorities. But working over there, I've learned a few things. I've learned that terror doesn't happen because some group of people somewhere like Pakistan or Afghanistan simply decide to hate us. It happens because children aren't being offered a bright enough future that they have a reason to choose life over death.”

“This was when he first suspected that the kindly child-loving God extolled by his headmistress might not exist. As it turned out, most major world events suggested the same. But for Theo’s sincerely godless generation, the question hasn’t come up. No one in his bright, plate-glass, forward-looking school ever asked him to pray, or sing an impenetrable cheery hymn. There’s no entity for him to doubt. His initiation, in front of the TV, before the dissolving towers, was intense but he adapted quickly. These days he scans the papers for fresh developments the way he might a listings magazine. As long as there’s nothing new, his mind is free. International terror, security cordons, preparations for war — these represent the steady state, the weather. Emerging into adult consciousness, this is the world he finds.”

“For artists, obsession obviously comes in handy. It not only gives us the energy and power to create the artistic object, but it fills up our minds in a way few other things could. But can obsession fill the death hole? Of course not, though maybe it is out of nothingness that we all begin to create. If the world doesn't exist then we will make our own world. Maybe all this fever of creation, this need to be special, this frenzy--what Thomas Wolfe called an "enormous task of excavation" of self--this creation comes at least in part out of the terror of pure emptiness, the terror of the end. The need to fill the void, to make something out of this vast sense of nothing. Extreme fear of oblivion creating extreme creation. We hurl ourselves against the death void.”

“Freedom, "that terrible word inscribed on the chariot of the storm," is the motivating principle of all revolutions. Without it, justice seems inconceivable to the rebel's mind. There comes a time, however, when justice demands the suspension of freedom. Then terror, on a grand or small scale, makes its appearance to consummate the revolution. Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. But one day nostalgia takes up arms and assumes the responsibility of total guilt; in other words, adopts murder and violence.”

“literally. They suffer little international wrath for their crimes against civilians—civilians oftentimes in their midst to lend a helping hand. Israel does not enjoy the same luxury. Most of the free press in the Middle East operates out of Jerusalem. This makes sense since Israel is the only democracy in the region. Only in Israel can the press freely operate. It is easier and much safer for a journalist to question Israel than to challenge any other entity in the region.”

“Not just the Congress is capitulating to 45/47 and the dismantling of our government: industry, lawyers, even esteemed, independent colleges. It's a horrifying difficult-to-fully-process time. Some of us still have our lives intact-- barely affected by the clenching at our throats and the rising terror-- but there are others losing their life's work-- there are others being kidnapped on the streets-- people who can't stay, people who can't come back, people who are just thrown in prisons of one kind or another here or elsewhere. Whose life matters anyway?”

“I write for you, for me, for the 70% of us who make up the fabric of society: ordinary people with extraordinary lives, who play the roles of parents, siblings, children, neighbours and friends. We are those who work and study with tenacity, those who with effort and dedication bring sustenance to our homes, my novels and stories of horror, suspense and mystery are designed for the emerging generations, for those readers who seek freshness in literature and who feel distanced from traditional literature, with its labyrinth of ostentatious and complex words that often alienate the average citizen..., I write for the marginalised, for those who have felt that literature does not offer them a mirror in which to reflect themselves, for those who seek in the pages a refuge or an acknowledgement of their existence, I write for the free and critical spirits, for the innate rebels who question the structures and narratives of our civilisation, I write for the dreamers who imagine a world beyond the reach of politics and corporations, for those who resist being moulded by the great entertainment machines that seek to numb our minds and wills; It is my voice, through writing, that seeks to resonate with yours, inviting you on a literary journey where together we explore the confines of our reality and the abysses of our imagination".”

“Tana would sit near the door to the basement with fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana's little bed. 'Make her stop' Pearl said, but Tana couldn't.”

“Assisti a tudo, gotas de suor formando-se na testa. Queria dizer para pararem, mas não tinha voz. Estava emudecida, os meus dedos procurando em vão uma fenda que já não existia. Senti lágrimas nos olhos quando vi a explosão no ecrã. Fechei os olhos por momentos, e, mesmo assim, vi crianças que morriam queimadas nas ruas estreitas onde brincavam, ruas paralelas à da imagem inicial; as mães, arranhando a própria cara, que gritavam pelos filhos que não mais iriam ver; velhos esfarrapados, a boca aberta num grito perante os pedaços de corpos humanos e animais, emaranhados no fim. Vi um edifício explodir, fragmentos pesados em todas as direcções, acertando em formigas de movimentos velozes. Só que não eram formigas! Onde estava a compaixão? A empatia? E o cumprimento das convenções assinadas, das regras?”

“O cheiro é inconfundível, quase metálico, entranha-se como vapores pelas narinas, pela boca e pelos poros. Já não sei se o cheiro é em tal concentração que qualquer pessoa o poderia notar ou se, imperceptível, sou eu que me habituei a tê-lo presente, capaz de o reconhecer mesmo em proporções insignificantes. De qualquer forma, é real, sente-se, está aqui. Esta casa cheira a sangue. Nada de novo.”

“Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.”

“Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?”

“The theology of the average colored church is basing itself far too much upon 'Hell and Damnation'—upon an attempt to scare people into being decent and threatening them with the terrors of death and punishment. We are still trained to believe a good deal that is simply childish in theology. The outward and visible punishment of every wrong deed that men do, the repeated declaration that anything can be gotten by anyone at any time by prayer. [Essay entitled 'On Christianity', published posthumously]”

“Have you seen those kids nowadays? What they’re like? They’re f****** nightmares. And you do feel like strangling them. At times. They scream like banshees or maniacs. They’re mini sociopaths in the making. It should be illegal to scream like they do. It’s criminal. They should be arrested or silenced with———————. Yeah, whatever. While you wonder why the f*** they’re screaming like crazy, their mom shows up and tell you that they actually sh** their pants. Sorry. ‘Diapers.’ They sh** their ‘diapers’. So, take a hint. And turns out that all along, they were hungry, thirsty for coconut water. Or is it milk? Oh that’s right, ‘nuts.’ Babies are pros at juggling nuts while having colic nanoseconds ago. Either way, they’re diminutive unruly monsters whose terrorizing skills should not be underestimated.”

“I have long been of the Opinion, says he, that the Fire was a vast Blessing and the Plague likewise; it gave us Occasion to understand the Secrets of Nature which otherwise might have overwhelm'd us. (I busied my self with the right Order of the Draughts, and said nothing.) With what Firmness of Mind, Sir Chris. went on, did the People see their City devoured, and I can still remember how after the Plague and the Fire the Chearfulnesse soon returned to them: Forgetfulnesse is the great Mystery of Time. I remember, I said as I took a Chair opposite to him, how the Mobb applauded the Flames. I remember how they sang and danced by the Corses during the Contagion: that was not Chearfulnesse but Phrenzy. And I remember, also, the Rage and the Dying - These were the Accidents of Fortune, Nick, from which we have learned so much in this Generation. It was said, sir, that the Plague and the Fire were no Accidents but Substance, that they were the Signes of the Beast withinne. And Sir Chris. laughed at this. At which point Nat put his Face in: Do you call, sirs? Would you care for a Dish of Tea or some Wine? Some Tea, some Tea, cried Sir Chris. for the Fire gives me a terrible Thirst. But no, no, he continued when Nat had left the Room, you cannot assign the Causes of Plague or Fire to Sin. It was the negligence of Men that provoked those Disasters and for Negligence there is a Cure; only Terrour is the Hindrance. Terrour, I said softly, is the Lodestone of our Art.”

“Once, I had dreaded that first snow, had lived in terror of long, brutal winters. But it had been a long, brutal winter that had brought me so deep into the woods that day nearly two years ago. A long, brutal winter that had made me desperate enough to kill a wolf, that had eventually led me here- to this life, this... happiness.”

“Unfortunately, you are far more likely to be harmed or die prematurely as a direct result of modern society than you are from any form of terrorism.”

“Fear and anxiety affect decision making in the direction of more caution and risk aversion... Traumatized individuals pay more attention to cues of threat than other experiences, and they interpret ambiguous stimuli and situations as threatening (Eyesenck, 1992), leading to more fear-driven decisions. In people with a dissociative disorder, certain parts are compelled to focus on the perception of danger. Living in trauma-time, these dissociative parts immediately perceive the present as being "just like" the past and "emergency" emotions such as fear, rage, or terror are immediately evoked, which compel impulsive decisions to engage in defensive behaviors (freeze, flight, fight, or collapse). When parts of you are triggered, more rational and grounded parts may be overwhelmed and unable to make effective decisions.”

“Yet, what the memory repudiates controls the human being. What one does not remember dictates who one loves or fails to love. What one does not remember dictates, actually, whether one plays poker, pool, or chess. What one does not remember contains the key to one’s tantrums or one’s poise. What one does not remember is the serpent in the garden of one’s dreams. What one does not remember is the key to one’s performance in the toilet or in bed. What one does not remember contains the only hope, danger, trap, inexorability, of love—only love can help you recognize what you do not remember.”

“Він намагався виправити все заподіяне, просив пробачення і спокутував провину, жертвуючи собою заради неї. На мить вона побачила чоловіка, яким він був раніше, — поета, у якого закохалася її мати. Та людина, якою він був до війни, могла б знайти слова, аби склеїти їхнє зруйноване минуле. Але тієї людини вже не існувало. Він надто багато втратив і багато від чого відмовився. Лише в такий спосіб він міг сказати, що любить її. — Тільки не так, — прошепотіла вона. — Іншого виходу немає. Пробач мені, — мовив він ніжно. [...] Її батька вивели надвір — на залиту яскравим вранішнім сонцем площу, де вже чекала розстрільна команда з гвинтівками напоготові. [...] — У нас зовсім не було часу, — прошепотіла вона, відчуваючи, як по щоках течуть сльози. Скільки разів вона уявляла, як вона й тато, як усі вони починають усе спочатку? Після війни Ізабель, В’янн і батько могли б знову навчитися сміятись і бути родиною. Але цього ніколи не станеться. Вона ніколи не пізнає батька, ніколи не відчує тепла його рук, ніколи не засне на дивані поруч із ним, ніколи не скаже йому все, що хотіла. Вони ніколи не будуть разом, як обіцяла мама. — Тату, — мовила вона. Раптом це слово набуло величезного значення. Перетворилося на нездійснену мрію. Він повернувся обличчям до розстрільної команди й розправив плечі. Чоловік відкинув пасма волосся з очей, у яких не було жодної сльози. Їхні погляди зустрілися. Вона міцно стиснула ґрати. — Я люблю тебе, — сказав він. Постріли [385—86].”

“Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.”