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Tricks Quotes

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Tricks Quotes

“I realized that my book readings were boring me. I was going to go up there and read a passage and sleepwalk through the whole event and I needed to make it more interesting. I wanted to be running and jumping and do something so that the event would be so exciting. I had to trick myself into having fun every time.”

“Your politicians, priests, parents, they all are guilt-creators, because that is the only way that you can be controlled and manipulated. A very simple, but very cunning trick to manipulate you. They have condemned you, because if you are accepted, not condemned - loved, appreciated, and if it is relayed to you from everywhere that you are okay - then it will be difficult to control you. How to control a person who is absolutely okay? The very problem doesn`t arise.”

“Whenever I'm in need of inspiration and mantras, I go straight to simple affirmations. 'I am strong', 'I am brave', 'I can do this' and 'I'm awesome'. Whatever you put after 'I am', you will become. 'I am' are the two most powerful words, so make sure what you say after 'I am' is what you want to experience. It's like a magic trick.”

“There are a lot of little tricks you can do to inject a bit more time into the day. Most important is limiting yourself to a 40 hour week, not working 50 hours or 60 or 70. It's just crazy. It's actually irresponsible to you and irresponsible to your family and friends. Why should your employer's profits be more important than your own family? You're not even going to get any of the profits - all you get is not losing your job. It's a very negative system.”

“Primitive societies, or social groupings, had shamans, and some of them even more recent in time. Shamans were tricksters. There was a tradition of the trickster, and the trickster was a clown, a humorous fellow. His task was to trick the gods, to humor the gods into laughing, so that there was access to the divine - because laughter is a moment when we are completely ourselves.”

“Like most writers, I look back on all of my finished works with utter regret, and the trouble with writing a series of novels is that you have to go back and read them, and make sure that you haven't forgotten anything you've created, and then when you do that, you're faced with your own mistakes on every trick, from the wrong word in places to entirely the wrong incident.”

“Brave, bold men, these are what we want. What we want is vigor in the blood, strength in the nerves, iron muscles and nerves of steel, not softening namby-pamby ideas. Avoid all these. Avoid all mystery. There is no mystery in religion. Is there any mystery in the Vedanta, or in the Vedas, or in the Samhitâs, or in the Puranas? What secret societies did the sages of yore establish to preach their religion? What sleight-of-hand tricks are there recorded as used by them to bring their grand truths to humanity?”

“That small word "Force," they make a barber's block, Ready to put on Meanings most strange and various, fit to shock Pupils of Newton.... The phrases of last century in this Linger to play tricks- Vis viva and Vis Mortua and Vis Acceleratrix:- Those long-nebbed words that to our text books still Cling by their titles, And from them creep, as entozoa will, Into our vitals. But see! Tait writes in lucid symbols clear One small equation; And Force becomes of Energy a mere Space-variation.”

“As children's inquiries are not to be slighted, so also great care is to be taken, that they never receive deceitful and illuding answers. They easily perceive when they are slighted or deceived, and quickly learn the trick of neglect, dissimulation, and falsehood, which they observe others to make use of. We are not to intrench upon truth in any conversation, but least of all with children; since, if we play false with them, we not only deceive their expectation, and hinder their knowledge, but corrupt their innocence, and teach them the worst of vices.”

“In Japan, employees occasionally work themselves to death. It’s called Karoshi. I don’t want that to happen to anybody in my department. The trick is to take a break as soon as you see a bright light and hear dead relatives beckon.”

“And yet, within her anxiety, secured there like a gemstone, she carries the cool and curious power of occasionally being able to see the world vividly. Clarity bursts upon her a spray of little stars. She understands this, and thinks of it as one of the tricks of consciousness; there is something almost luxurious about it.. The narrative maze opens and permits her to pass through. She may be crowded out of her own life - she knows this for a fact and has always know it - but she possesses, as a compensatory gift, the startling ability to draft alternative versions.”

“It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.”