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“People didn't know who I was or why I was there, so they started inventing stories about me. I was a registered sex offender and I'd just been released from prison and was being forced to do community-service work. I was a murderer, an arsonist - all these horrific things had been projected on me because no one knew what to make of this white guy who showed up and made toast at 5 o'clock every morning.”

“You as the press secretary have to protect the president's interests and the White House's interests more broadly. And a lot of people inside the White House, as you learned, sometimes with painful experience, have competing agendas, have differing points of view, have priorities they're trying to protect.”

“Legal reform organizations are usually trying to portray their constituents as "hard workers," as "not criminals," as citizens, as part of normative family arrangements, and as conforming to white norms as much as possible. When these strategies are used, the most dangerous conditions and the people who are most vulnerable cannot be discussed or addressed.”

“Intellectual traditions emerging from populations that have always been the constitutive other in the development of the properly free citizen - indigenous people, populations labeled physically or mentally unfit, black people, migrants, women, prisoners - have always produced robust critiques of the what Dylan Rodriguez calls "white bourgeois freedom."”

“I'm not against knowing the history of white people in the U.S. - that's not the point. The point is that there's so much greater history. We don't know about Native Americans. Very basically, we don't know that much about African American history, except that they were enslaved. You only get bits and pieces.”

“People are too afraid of uptown. A lot of people will tell you, like, "Don't go to Harlem. You can never go there. 'Cause as soon as you get there, they kill you." That's what people think. As soon as you arrive in Harlem, someone just stabs you in the face right away. That's people's image of Harlem: just everyone standing around waiting for lost white people to kill all day. "Did you see any? I didn't either."”

“Farrakhan got everybody together for the Million Man March and everything. But Farrakhan don't like the Jews. Which is bugged. I get my hair cut on Dekalb Avenue. I never been in a barbershop and heard a bunch of brothers talking about Jews. Black people don't hate Jews. Black people hate white people! We don't got time to dice white people up into little groups. I hate everybody! I don't care if you just got here. "Hey, I'm Romanian." "You Romanian cracker!"”

“The arresting officer, who I had literally known, all my life. You know what I mean? This guy lived four doors down the street me, in a town of less than four hundred people. *We've met.* Now, he takes me to jail, and he asks me if I have any aliases. And I was just being a smartass, and I said, "Yeah. They call me, "Tater Salad!" Seventeen years later, I'm handcuffed on a bench in New York with blood coming out of my nose, and this cop goes, "Are you Ron 'Tater Salad' White?"”

“When you have a young kid you can't go out much at night, so I spent a lot of time at home, watching movies and cooking dinner with my wife. It felt like what most people experience. White picket fence stuff.So there was some enjoyment of that normalcy, but I have to admit that part of me missed the chaos of touring. I think it's about balance.”

“White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'”

“People sometimes ask me if I would not give anything to be white, I answer, in the words of the song, most emphatically, 'No.' How do I know what I might be if I were a white man? I might be a sand-hog, burrowing away and losing my health for $8 a day. I might be a street-car conductor at $12 or $15 a week. There is many a white man less fortunate and less well equipped than I am. In fact, I have never been able to discover that there was anything disgraceful in being a colored man. But I have often found it inconvenient - in America.”

“Aggression is part of the masculine design, we are hardwired for it.... Little girls do not invent games where large numbers of people die, where bloodshed is a prerequisite for having fun. Hockey, for example, was not a feminine creation. Nor was boxing. A boy wants to attack something - and so does a man, even if it's only a little white ball on a tee.”

“It is my belief that exciting things happen when a variety of overlapping activities designed for all people-the old and the young, the blue and white collar, the local inhabitant and the visitor, different activities for different occasions-meet in a flexible environment, opening up the possibility of interaction outside the confines of institutional limits. When this takes place, deprived areas welcome dynamic places for those who live, work and visit; places where all can participate, rather than less or more beautiful ghettos.”

“All this stuff is so mind-blowing to me that I get to do in my life. Throwing the first pitch out at the White Sox game on a random Wednesday? Like who am I? How did I get this life? I'm glad I'm not jaded, and little kids are the least jaded people in the entire world, so it's fun to be around people that still find wonder in how cool things are.”

“I do believe that when we're in the process of dying, that all these emergency circuits in the brain take over. I base what I'm saying not on any empirical evidence. I think it's very possible that when you're dying, these circuits open up, which would explain this whole white-light phenomena - when people clinically die and they see their relatives and stuff and say, "Hello, it's great to see you."”

“The beauty of when you watch good television or films is that, yes, you may have a multi-cultural cast but those roles could be anybody - they could be white, they could be black. To show the world that we have more in common than we have different with each other is to me the ultimate goal of all of that. It does help unite in people's mind the thought that people are the same. Yes, there's going to be cultural differences, but for the most part, we are all in the same gang as human beings.”

“The film [the white Ribbon] does try to use German Fascism as an example, but not specifically Fascism... the results of German Fascism. It shows how people are prepared or indoctrinated for an ideology... people who are already in a state of repression who have been humiliated by society and who clasp at a straw that's offered to them. And how that's then developed into a form of indoctrination.”