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“My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.”

“If I'm a director and I read a script and I say yeah I really want to do this, I would never walk away because the deal wasn't very good - that I wasn't getting paid very much or that the chances that I would see anything on the back end were remote because of the financial waterfall and the way it's structured. I would never use that as a reason not to do something.”

“On the flip side, I've also had to struggle with saying "yes." Before I did this research and before I had my own breakdown and spiritual awakening around this work, my motto was, "Don't do anything that you're already not great at doing." Which I think is the way the majority of adults in our culture live. Authenticity is also about the courage and the vulnerability to say, "Yeah, I'll try it. I feel pretty uncomfortable and I feel a little vulnerable, but I'll try it!"”

“I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.”

“Yeah, we were looking for a way to represent adulthood and the passing into adulthood. And I think, for me personally and a lot of the folks that I work with, childhood is kind of a sacred, special kind of point in time that has a real joy and purity to it. And we sort of long on a daily basis to reach back and kind of grab onto that in some way.”

“We've played with Black Flag, Bad Brains, Minor Threat, The Ramones. You name any punk band and we've probably played or toured with them all the way up to and including Soundgarden, who we've toured with three times now. We also toured with Metallica for a year. But yeah, Megadeth was the only one we were a little sketchy about because um, it was a little sketchy.”

“Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.”

“I don't have like whatever, so I'm just like, "Oh man, I'm just going to try to stay out of most people's way and get a taco and enjoy myself as much as I can," because it's such a beautiful town. Beautiful weather. I called my dad that day to tell him what was going on with my passport and he was like, "Yeah it snowed four inches today. It's ten degrees outside." I'm just like, "Cool. I'm glad I'm in Austin, no matter what."”

“Yeah, this is what I think was a quality of movies, is you're in a group of people. You're sharing something with people. Whether those other people make you laugh more, you're all laughing. You're all happy together. There's something... manmade about that in a way that's - I'm not sure how that manifests itself in nature, but culturally we've set that up when we invented theater and the movies and all that stuff.”

“One thing I've experienced and I feel really grateful for now that I'm on my way out is that I felt that the justices gave that back to me. I really did. You know, of course, you can have some sharp exchanges. That's the nature of the thing, and that's fine. But really in the main I felt like the tone from them was, "Yeah. We may not agree with you, but we're going to have a discussion about this." And it did.”

“I don't think it's necessarily 100-percent true. But comic books have infiltrated the mainstream Hollywood in ways that I don't think I ever would have seen or thought imaginable a while ago. But it's also cyclical. You saw it in the '80s when it became kind of huge again. And then it disappears for a while, then it comes back again, then it disappears for a while. So yeah, there's something about that.”

“I didn't get a chance to meet Glen [Beck] for this movie. I did meet him a few years ago, coincidentally, before any of this happened. But I've been familiar with his work, so I felt I wanted to get it right. I wanted to honor him. I respect him and I think the way he does his job is admirable. Yeah, there was an added incentive. I wouldn't call it pressure, but incentive perhaps.”

“I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.”

“Here I was in Estonia, doing a concert for 5,000 people, and not many people know the song My Way - Gorbachev in the 80s, My Way had just become a famous song, and [Mikhail] Gorbachev in a satirical, kind of cynical manner coined the term the Sinatra Doctrine and My Way was the song because the Baltic states in the Warsaw Pact wanted to go their own way and secede from the Soviet Union, so joking he says," Yeah, we've got the Sinatra Doctrine now."”

“Yorgos Lanthimos said, "What about if he's a bit soft?" And I said, "Yeah, I think you're right." He just comfort-eats a little bit too much. He's just asleep in his own life and has let himself go. And the mustache, I don't know if it was him or I suggested it. But I remember my sister was watching me eat and she was like, "God, does he have to be fat?" And in retrospect I couldn't think of David being any other way because it affected the way I moved. It really did. It slowed me down in a way that I felt was conducive to kind of tapping into the spirit of the character.”

“I don't speak cockney and I don't pretend to come from that part of the world. For the longest time the English, like the Beatles and so on sounded American. "She loves you yeah yeah yeah!" All of the sudden you sound American. It doesn't work that way with Americans who try to sing English. It's not convincing. If I say "Footy" and "tele" and "Brissy" and "Sydney" and "Simmo" it's not convincing.”

“I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.”

“We got Sally Field onboard [in Smokey and the Bandit] and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.”

“The people that say diversity is the reason for the greatness are purposely assaulting the United States as founded. They want you to believe that America was only great for a few people as founded, because, as founded, America was gigantically discriminating against the poor and against people of color and against transgenders. Yeah, I've read the Federalist Papers, you know. James Madison, he wasn't popular with the transgender group back then. Did you know that? You won't find the word. It was not a factor, the way they have attempted to modernize things here today. It's just lies.”

“"First female president." That's it, and that's nowhere near, by the way, as powerful or penetrating as the first African-American president. I mean, women, yeah, I mean, make the case that they've been victimized. But they can't put themselves in the same shoes as slavery's legacy for example. Now, women might try to make the case. Hillary [Clinton] might try to make the case about not being ought to be able to vote, but it ain't gonna fly.”

“Stop and think of what happened in America. The melting pot, yeah, it happened. Stop and think of what happened, from the first days of the founding. You have to go back to the Pilgrims. You have to include the Pilgrims in the founding. Why they came. What they learned on the way. What they learned after they got here. The Pilgrims, like everybody else, tried to establish a socialist collective. Bombed out. Didn't work. We know this, the governor wrote about it himself, William Bradford.”

“I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."”

“I truly love [Andy Serkis]. He's an amazing guy. Yeah, I think that when we really synced up was when he came over to my place, the place I rented in Vancouver, and we had like two bottles of wine, and what a night. What a night. And by the way, I don't remember a damn thing we talked about, but I can tell you it would've been like the greatest conversation if we could've written it down or something, because it was incredible. He's such a bright, amazing guy.”