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Jean Baudrillard

Jean Baudrillard Quotes

Philosopher

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Famous Jean Baudrillard Quotes

“Let us not be deceived about the cool forms, forms indifferent to themselves, which this fetishism can assume in Warhol. Behind this machinic snobbery, what is really going on is a rise and rise of objects, images, signs and simulacra, as well as a rise and rise of values, the finest example of which is the art market itself. We are a long way from the alienation of price, which is still a real measure of things. We are in the ecstasy of value, which explodes the notion of market and simultaneously destroys the art work as such. Warhol is naturally party to this extermination of the real by the image, and to such an overdoing of the image as to put an end to all aesthetic value. Warhol reintroduces nothingness into the heart of the image. In this sense, we cannot say he is not a great artist: fortunately for him, he is not an artist at all. The point of his work is a challenge to the very notion of art and aesthetics.”

WarholNetflixDisneyPop ArtPop Culture ReferencesMarvel Cinematic UniverseKevin FeigeBillionaire Box Office
Book:The Perfect Crime
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“The little orange, trapezoidal, translucent sail on the river, the boatmen keeping their balance. Further on, the bride in her palanquin, and the husband on horseback ahead of her. A whole parade of luminous figures. In fact, what we have here is a fake traditional Korean wedding and a TV shoot. But whether or not the ritual is authentic, there is the same racial beauty in all the faces. The Diagonal of the Madman, The Parallax of Evil, The Ecliptic of Sex, The Hypotenuse of Death. Given the low likelihood of a meeting in this life or a future existence, the only hope is for a meeting in a previous life.”

SimulationMulti CulturalismTestamento Geometrico
Book:Cool Memories V: 2000 - 2004
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“This kind of speculation reached a high point with the Pentagon's initiative of creating a 'futures market in events', a stock market of prices for terrorist attacks or catastrophes. You bet on the probable occurrence of such events against those who don't believe they'll happen. This speculative market is intended to operate like the market in soya or sugar. You might speculate on the number of AIDS victims in Africa or on the probability that the San Andreas Fault will give way (the Pentagon's initiative is said to derive from the fact that they credit the free market in speculation with better forecasting powers than the secret services). Of course it is merely a step from here to insider trading: betting on the event before you cause it is still the surest way (they say Bin Laden did this, speculating on TWA shares before 11 September). It's like taking out life insurance on your wife before you murder her. There's a great difference between the event that happens (happened) in historical time and the event that happens in the real time of information. To the pure management of flows and markets under the banner of planetary deregulation, there corresponds the 'global' event- or rather the globalized non-event: the French victory in the World Cup, the year 2000, the death of Diana, The Matrix, etc. Whether or not these events are manufactured, they are orchestrated by the silent epidemic of the information networks. Fake events.”

Terrorist AttacksStock MarketMatrixInsider TradingNoneventFake News Fake EventsThe Taking Of Pelham 1 2 3
Book:The Intelligence of Evil or the Lucidity Pact
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“There are many ways of being witty and intelligent - almost as many as of not being, They are often the same. Like free electrons on the planet of the apes, with a time window on to a parallel universe. The only solution to the mechanization of man is Ie devenir-machine: becoming-machine. Warhol had seen this. He was the apotheosis of the machinic: total automatism, all trace of the human gone. The dream of the virtual era, by contrast, is to wrest the machine from machinicity, to make it intelligent and soulful, 'interactive', to turn it into an associate 'anthropoid' with the same affective and intellectual, sexual and reproductive functions - and, lastly, the same viruses and melancholia.”

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Book:Cool Memories V: 2000 - 2004
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“If their own duplicity deserts human beings, then the roles are reversed: it is the machine that goes gaga, that falters and becomes perverse, diabolic, ventriloquous. The duplicity merrily goes over to the other side. If subjective irony disappears - and it disappears in the play of the digital- then irony becomes objective. Or it becomes silence.”

HumanityMachinesDualityDementiaLiteralnessVentriloquacity Of Evil
Book:Why Hasn't Everything Already Disappeared?
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“When sexual liberation was the order of the day, the watchword was 'Maximize sexuality, minimize reproduction' . The dream of our present cloneloving society is just the opposite: as much reproduction and as little sex as possible. At one time the body was a metaphor for the soul, then it became a metaphor for sex. Today it is no longer a metaphor for anything at all, merely the locus of metastasis, of the machine-like connections between all its processes, of an endless programming devoid of any symbolic organization or overarching purpose: the body is thus given over to the pure promiscuity of its relationship to itself - the same promiscuity that characterizes networks and integrated circuits. The possibility of metaphor is disappearing in every sphere. This is an aspect of a general tendency towards transsexuality which extends well beyond sex, affecting all disciplines as they lose their specificity and partake of a process of confusion and contagion - a viral loss of determinacy which is the prime event among all the new events that assail us. Economics becomes transeconomics, aesthetics becomes transaesthetics, sex becomes transsexuality - all converge in a transversal and universal process wherein no discourse may have a metaphorical relationship to another, because for there to be metaphor, differential fields and distinct objects must exist. But they cannot exist where contamination is possible between any discipline and any other. Total metonymy, then - viral by definition (or lack of definition). The viral analogy is not an importation from biology, for everything is affected simultaneously and under the same terms by the virulence in question, by the chain reaction we have been discussing, by haphazard and senseless proliferation and metastasis. Perhaps our melancholy stems from this, for metaphor still had its beauty; it was aesthetic, playing as it did upon difference, and upon the illusion of difference. Today, metonymy - replacing the whole as well as the components, and occasioning a general commutability of terms - has built its house upon the dis-illusion of metaphor.”

MetaphorLiteralnessMetonymy
Book:The Transparency of Evil: Essays in Extreme Phenomena
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“It is not absurd to suppose that the extermination of man begins with the extermination of man's germs. One has only to consider the human being himself, complete with his emotions, his passions, his laughter, his sex and his secretions, to conclude that man is nothing but a dirty little germ - an irrational virus marring a universe of transparency. Once he has been purged, once everything has been cleaned up and all infection - whether of a social or a bacillary kind - has been driven out, then only the virus of sadness will remain in a mortally clean and mortally sophisticated world.”

SterilizationAsepsis
Book:The Transparency of Evil: Essays in Extreme Phenomena
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“The negationist proposition, in the age in which it is being advanced, cannot therefore be truly denied, since everything, all of us, including those who reject it, have passed over, whether we like it or not, into an age where there is no longer any objective recourse. The proposition, therefore, can be rejected only by a kind of mirror denial. And that is where its victory lies - though in fact it is not its victory, but the victory of real time over the present, over the past, over any form whatsoever of logical articulation of reality.”

Real TimeNegationism
Book:Fragments
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“The profoundly negationist character of information, the demand for which has no concern for any historical reality or any moral meaning. Shoah or no Shoah, if Hitler were alive he would be on all the screens. Might Network Man be the model for the disabled person of the future? It is perhaps to him, rather than to the paralytic, that we shall have forcibly to restore the use of his body. An illness that breaks out opportunely just before the departure date and ends exactly on the day the trip was scheduled to end.”

PandemicMarvelDisneyNegationismThanosNetwork Man
Book:Cool Memories V: 2000 - 2004
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“Fortunately, there are other, more poetic ways of ridding oneself of freedom - that of gaming, for example, where what is at stake is not a freedom subject to the law, but a sovereignty subject to rules. A more subtle and paradoxical freedom which consists in a rigorous observance, an enchanted form of voluntary servitude that is, as it were, the miraculous combination of master and slave: in gaming no one is free, everyone is both the master and the slave of the game.”

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Book:The Intelligence of Evil or the Lucidity Pact
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“The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art. That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn. No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction. No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology. And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.”

AddictionIdeologyAbstractionPop CultureSimulationBanalityContemporary ArtPandemicsDemocratization
Book:The Intelligence of Evil or the Lucidity Pact
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“War stripped of its passions. its phantasms. its finery. its veils. its violence. its images; war stripped bare by its technicians even. and then reclothed by them with all the artifices of electronics. as though with a second skin. But these too are a kind of decoy that technology sets up before itself. Saddam Hussein's decoys still aim to deceive the enemy. whereas the American technological decoy only aims to deceive itself. The first days of the lightning attack. dominated by this technological mystification. will remain one of the finest bluffs. one of the finest collective mirages of contemporary History (along with Timisoara). We are all accomplices in these fantasmagoria. it must be said, as we are in any publicity campaign. In the past. the unemployed constituted the reserve army of Capital; today. in our enslavement to information. we constitute the reserve army of all planetary mystifications.”

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Book:The Gulf War Did Not Take Place
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“A handicapped person is, by force of circumstance, a potential expert, a mutant in the motor and sensory domain. It is no accident that the social is in creasingly being organized around him: the blind person and the spastic constitute testing grounds, interesting mechanisms which it seems proper to cerebralize, whilst at the same time socializing them for form's sake. They have it in them to become wonderful instruments, precisely because they are immobilized and therefore marked down for automatism and remote control. The normal man will never make such a good automaton as someone who is disabled or spastic. There is nothing new in all this. It was eunuchs who provided the most beautiful voices in the choirs of the Renaissance.”

Remote ControlArtificial Deficiency
Book:Cool memories
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“People tell you the computer is just a handier, more complex kind of typewriter. But that isn't true. The typewriter is an entirely external object. The page floats free, and so do I. I have a physical relation to writing. I touch the blank or written page with my eyes - something I cannot do with the screen. The computer is a prosthesis. I have a tactile, intersensory relation to it. I become, myself, an ectoplasm of the screen. And this, no doubt, explains, in this incubation of the virtual image and the brain, the malfunctions which afflict computers, and which are like the failings of one's own body. On the other hand, the fact that priority belongs to the network and not to individuals implies the possibility of hiding, of disappearing into the intangible space of the Virtual, so that you cannot be pinned down anywhere, which resolves all problems of identity, not to mention those of alterity. So, the attraction of all these virtual machines no doubt derives not so much from the thirst for information and knowledge as from the desire to disappear, and the possibility of dissolving oneself into a phantom conviviality. A kind of 'high' that takes the place of happiness. But virtuality comes close to happiness only because it surreptitiously removes all reference from it. It gives you everything, but it subtly deprives you of everything at the same time. The subject is, in a sense, realized to perfection, but when realized to perfection, it automatically becomes object, and panic sets in.”

HappinessComputerIllusionAddictionSocial MediaSocial NetworkingRevelationHackersTranshumanismProsthesis
Book:The Intelligence of Evil or the Lucidity Pact
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“Nor, if the succession of events exercises a charm, is unpredictability by any means the least part of it. When a forecast is made, no matter what it may be, it is always tempting to prove it wrong. Events themselves often help us out in this regard. There are overpredicted events, for instance, that obligingly decline to occur; and then there are the exactly opposite kind - those which occur without forewarning. It behoves us to bank on such conjunctural surprises - such 'backdraughts'. We must bet on the Witz of events themselves. If we lose, at least we shall have had the satisfaction of defying the objective idiocy of the probabilities. This obligation is a vital function - part of our collective genetic heritage. Indeed, this is the only genuine function of the intellect: to embrace contradictions, to exercise irony, to take the opposite tack, to exploit rifts and reversibility - even to fly in the face of the lawful and the factual. If the intellectuals of today seem to have run out of things to say, this is because they have failed to assume this ironic function, confining themselves within the limits of their moral, political or philosophical consciousness despite the fact that the rules have changed, that all irony, all radical criticism now belongs exclusively to the haphazard, the viral, the catastrophic - to accidental or system-led reversals. Such are the new rules of the game - such is the new principle of uncertainty that now holds sway over all. [...]”

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Book:The Transparency of Evil: Essays in Extreme Phenomena
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“This is why, where art is concerned, the most interesting thing would be to infiltrate the spongiform encephalon of the modern spectator, For this is where the mystery lies today: in the brain of the receiver, at the nerve centre of this servility before 'works of art'. What is the secret of it? In the complicity between the mortification 'creative artists' inflict on objects and themselves, and the mortification consumers inflict on themselves and their mental faculties. Tolerance for the worst of things has clearly increased considerably as a function of this general state of complicity. Interface and performance - these are the two current leitmotifs. In performance, all the forms of expression merge - the plastic arts, photography, video, installation, the interactive screen. This vertical and horizontal, aesthetic and commercial diversification is henceforth part of the work, the original core of which cannot be located. A (non-) event like The Matrix illustrates this perfectly: this is the very archetype of the global installation, of the total global fact: not just the film, which is, in a way, the alibi, but the spin-offs, the simultaneous projection at all points of the globe and the millions of spectators themselves who are inextricably part of it. We are all, from a global, interactive point of view, the actors in this total global fact.”

Pop CultureBrainwashingHypnosisInfinite JestThe MatrixTotal SimulationSimulacrunsMovie FranchisesPretending Excitation
Book:The Intelligence of Evil or the Lucidity Pact
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“The latest of these exponentially growing parallel universes is the world of the Internet and the global information systems. Here too, the irresistible growth, the outgrowth of information, could be posted up in real time in terms of millions of individuals and millions of operations - that information now so extensive that it no longer has any connection with the acquisition of knowledge. As of now, we can say that this immense potential will never be redeemed, in the sense of a use or purpose ever being found for it. Things here, then, are exactly as they are with debt: information is as inexpiable as debt, in the sense that we shall never be able to settle our account with it. Moreover, the storage of data, the accumulation and worldwide circulation of information, in every respect resemble the build-up of an irremissible debt. And, here again, as soon as this proliferating information far exceeds the needs and capacities of the individual and the species in general, it has no other meaning than to bind all humanity in a single destiny of cerebral automatism and mental underdevelopment. For it is clear that, though a certain dose of information reduces our ignorance, a massive dose of artificial intelligence can only convince us of the failings of our natural intelligence and plunge us deeper into them. The worst thing in a human being is to know too much and not to be equal to one's knowledge. It is the same with responsibility and emotional capacity: the media, by perpetually assailing us with violence, misfortune and catastrophe, far from firing some kind of collective solidarity, merely demonstrate our real impotence and plunge us into panic and remorse.”

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Book:Screened Out
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“We recently saw parading through our streets a line of young women who, under other skies, might very well have been crowned with garlands of flowers in the Panathenaea. They were angry young starlets, demanding an end to the need to sleep with the producer to gain recognition. 'Talent, not tits and bums!' It is somewhat troubling to see such a problem carried out into the streets. It is well known that the publicity around such things repeatedly turns against the victims and merely compounds the initial violation with a further violation by the media. Here too, it will no doubt be said that these young women in search of theatre parts are already in a state of advanced prostitution. The fact that they come and offer themselves up to the lechery of the public eye, after having been offered up, against their wills, to the lechery of producers, at least bears witness to their candour, if not to their innocence.”

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Book:Cool memories
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“Only with our modern civilization did we find ourselves forcibly inducted into this individual existence. Of course, we fight to retain this 'inalienable' right, and we are naturally driven to win it and defend it at all costs. We demand this freedom, this autonomy, as a fundamental human right and, at the same time, we are crippled by the responsibility that ends up making us detest ourselves as such. This is what resounds in the complaint of Job. God asks too much: ''What is man, that thou shouldest magnify him? And that thou shouldest set thy heart upon him? And that thou shouldest visit him every morning, and try him every moment? How long wilt thou not depart from me, nor let me alone till I swallow down my spittle? ' This leaves us subject to a contradictory twofold requirement: to seek an identity by all possible means - by hounding the identities of others or by exploring the networks - and to slough off identity in every possible way, as though it were a burden or a disguise. It is as though liberty and individuality, from having been a 'natural' state in which one may act freely, had become artificial states, a kind of moral imperative, whose implacable decree makes us hostages to our identities and our own wills. This is a very particular case of Stockholm Syndrome, since we are here both the terrorist and the hostage. Now, the hostage is by definition the unexchangeable, accursed object you cannot be rid of because you don't know what to do with it. The situation is the same for the subject: as hostage to himself, he doesn't know how to exchange himself or be rid of himself.”

Stockholm SyndromeCecil B DementedJohn WatersModern Individualism
Book:The Intelligence of Evil or the Lucidity Pact
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“A three-dimensional shadow? A hologrammatic shadow? The Graz Tower: a building in the form of a shadow. This is, in itself, a misconception: what makes a shadow a shadow is the two dimensions (it is the same with the image). Even the zebra's shadow has no stripes. Ubu incarnate: we lag irreparably behind stupidity. Where do you rate your pain on a sliding scale from 0 to 10? 0= no pain, 10 = unbearable. It's a bit like plucking daisy petals: he loves me, he loves me not ... They are the petals of pain.”

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Book:Cool Memories V: 2000 - 2004
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“Thirty thousand years ago there lived 'another human species' - the Neanderthals. Tremendous. If it is true, it is symbolically more important than the fact that man is descended from the apes. The shadow of this vanished human species weighs heavy on all our anthropology, since our entire concept of evolution privileges the exclusive universality of a single humanity, ours, the one that survived. And what if it were not the only one? Then that's the end of our privilege. If we had to eliminate this twin, this prehistoric double, to ensure our hegemony, if this other species had to disappear, then the rules of the game of being human are no longer the same. And where does this passion for universality come from, this lust to eliminate every other race? (It is a good bet that if any other race emerged from space, our first aim would be to subjugate or destroy it.) Why is it that in twin forms there always has to be one that dies? Why do we always have to wipe out duality everywhere to establish the monopoly of a species, a race, a subject? Having said this, it is not certain that we really did win out. What if we were carrying that double within us like a dead twin? And perhaps many others, in a kind of Unconscious, the stubborn heir to all the previous murders. Having achieved the unity of the species, for the greater glory of Homo sapiens, are we not now duplicating ourselves for the worse - in that artificial twinness of the clone, in which the species, denying its origins once and for all, prolongs itself as spectre in an infinite repetition? Over the screen of our consciousness and our Unconscious hovers the shadow of this original crime, the traces of which we shall doubtless never recover.”

HumanityDualityNeanderthals
Book:Cool Memories V: 2000 - 2004
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“The growing cerebrality of machines must logically be expected to occasion a technological purification of bodies. Inasmuch as bodies are less and less able to count on their own antibodies, they are more and more in need of protection from outside. An artificial sterilization of all environments must compensate for faltering internal immunological defences. And if these are indeed faltering, it is because the irreversible process often referred to as progress tends to strip the human body and mind of their systems of initiative and defence, reassigning these functions to technical artifacts. Once dispossessed of their defences, human beings become eminently vulnerable to science and technology; dispossessed of their passions, they likewise become eminently vulnerable to psychology and its attendant therapies; similarly, too, once relieved of emotions and illnesses, they become eminently vulnerable to medicine.”

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Book:The Transparency of Evil: Essays in Extreme Phenomena
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“Death is only ever that free future we dream of when we put off everything and consign all things to their future occurrence. Objectively, the world is an illusion: it can only appear to us. Subjectively, it is the opposite: we regard it spontaneously as real. But one may propose the opposite: subjectively, the world is an illusion of our senses. Objectively, it has force of reality. Asymptote, clinamen, parallax, metalepsis - these are dance patterns, this is a whole non-linear geometry of theoretical space. Patterns of near-contact and reversal, of approaching the truth without ever succumbing to it.”

Testamento Geometrico
Book:Cool Memories V: 2000 - 2004
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“Stigmatizing the millions of Italians as ‘consenting victims’ of Berlusconi, denouncing the stupidity of the masses and wrapping oneself in the flag of the divine Left and its democratic arrogance – this is the pose of the enlightened intellectual, who is prepared to leave his country as a punishment (though he does not do so). All this comes from a short-sighted, conventional analysis of political Reason. The ‘blind’ masses, for their part, have a more subtle – perhaps transpolitical(?) – vision, to the effect that the locus of power is empty, corrupt and hopeless and that, logically, one has to fill it with a man who has the same profile – an empty, comical, histrionic, phoney individual who embodies the situation ideally: Berlusconi.(...) But it is just as undeniable that we cannot bear either Berlusconi or the current state of affairs. We have, therefore, to take into account both the obvious fact that we have the system we deserve and the equally nonnegligible fact that we cannot bear it.”

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Book:Fragments
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“This is merely one of the sides of the conspiracy. The other side is that of the spectator who, for want of understanding anything whatever most of the time, consumes his own culture at one remove. He literally consumes the fact that he understands nothing and that there is no necessity in all this except the imperative of culture, of being a part of the integrated circuit of culture. But culture is itself merely an epiphenomenon of global circulation. The idea of art has become rarefied and minimal, leading ultimately to conceptual art, where it ends in the non-exhibition of non-works in non-galleries - the apotheosis of art as non-event. As a corollary, the consumer circulates in all this in order to experience his non- enjoyment of the works.”

ArtConspiracyPop CultureSimulationNonevent
Book:The Intelligence of Evil or the Lucidity Pact
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“[...]One positions an Axis of Evil where there is none. Good is directive, directional; it has a finality in principle and therefore constitutes an axis. Evil is more of a parallax. It is never directional, and is not even opposed to Good. There is always some kind of diversion, a deviation, a curve. As Good goes straight ahead, Evil deviates. It is a deviance, a perversion. You never know where Evil is going, or how. It cannot be mastered. In almost topological terms, it is merely a deviation. Only Good could lay claim to being an axis. But this axis is projected on Evil; an imaginary Axis of Evil is created to justify the Axis of Good. This is a strategic mistake. When you try to target Evil in its unfindable axis, when you fight it militarily, with a frontal attack, you can only miss it.”

MistakesAxis Of EvilBush Confirmed In The Mcu
Book:The Agony of Power
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“In all these forms of disavowal, nay-saying and denial, what is at work is not a dialectic of negativity or the 'work of the negative'. It is no longer a question of a thought critical of reality, but of a subversion of reality in its principle, in its very self-evidence. The greater the positivity, the more violent is the - possibly silent - denial. We are all dissidents of reality today, clandestine dissidents most of the time. If thought cannot be exchanged for reality, then the immediate denial of reality becomes the only reality-based thinking. But this denial does not lead to hope, as Adorno would have it: 'Hope, as it emerges from reality by struggling against it to deny it, is the only manifestation of lucidity.' Whether for good or for ill, this is not true. Hope, if we were still to have it, would be hope for intelligence of - for insight into - good. Now, what we have left is intelligence of evil, that is to say, intelligence not of a critical reality, but of a reality that has become unreal by dint of positivity, that has become speculative by dint of simulation. Because it is there to counter a void, the whole enterprise of simulation and information, this aggravation of the real and of knowledge of the real, merely gives rise to an evergreater uncertainty. Its very profusion and relentlessness simply spreads panic. And that uncertainty is irredeemable, as it is made up of all the possible solutions.”

RealityCritical ThinkingNegationAdornoDissidenceIntelligence Of Evil
Book:The Intelligence of Evil or the Lucidity Pact
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“In this impossibility of reapprehending the world through images and of moving from information to a collective action and will, in this absence of sensibility and mobilization, it isn't apathy or general indifference that's at issue; it is quite simply that the umbilical cord of representation is severed. The screen reflects nothing. It is as though you are behind a two-way mirror: you see the world, but it doesn't see you, it doesn't look at you. Now, you only see things if they are looking at you. The screen screens out any dual relation (any possibility of 'response'). It is this failure of representation which, together with a failure of action, underlies the impossibility of developing an ethics of information, an ethics of images, an ethics of the Virtual and the networks. All attempts in that direction inevitably fail. All that remains is the mental diaspora of images and the extravagant performance of the medium. Susan Sontag tells a good story about this pre-eminence of the medium and of images: as she is sitting in front of the television watching the moon landing, the people she is watching with tell her they don't believe it at all. 'But what are you watching, then?' she asks. 'Oh, we're watching television!' Fantastic: they do not see the moon; they see only the screen showing the moon. They do not see the message; they see only the image. Ultimately, contrary to what Susan Sontag thinks, only intellectuals believe in the ascendancy of meaning; 'people' believe only in the ascendancy of signs. They long ago said goodbye to reality. They have gone over, body and soul, to the spectacular.”

RealityMeaningInformation AgeSignsMobilizationSpectacle
Book:The Intelligence of Evil or the Lucidity Pact
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“When truth and reality were made to take lie-detector tests, they themselves confessed to not believing in truth and reality. We are all agnostics. There were those who believed in God and those who did not. There are those who believe in reality and those who do not. And then there are the reality agnostics who, though not rejecting it in an absolute sense, reject belief in it: 'Reality (like God in the past) may perhaps exist, but I don't believe in it.' There is nothing contradictory or absurd in this. It is the enlightened refusal to let oneself be caught in the trap of a reality that is fetishized in its principle, a reality that is itself caught in the trap of the signs of reality. Is there such a thing as a naked, original reality, anterior to the signs in which it is made manifest? Who knows? The self-evidence of reality has a shadow of retrospective doubt hovering over it. However this may be, the agnostic is not concerned with this hinterworld or this original reality; he confines himself to reality as an unverifiable hypothesis, to signs as signs, behind which might also be hidden the absence of reality. (Their profusion in fact ends up voiding them of their credibility.)”

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Book:The Intelligence of Evil or the Lucidity Pact
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“Art has always denied itself. But once it did so through excess, thrilling to the play of its disappearance. Today it denies itself by default - worse, it denies its own death. It immerses itself in reality, instead of being the agent of the symbolic murder of that same reality, instead of being the magical operator of its disappearance. And the paradox is that the closer it gets to this phenomenal confusion, this nullity as art, the greater credit and value it is accorded, to the extent that, to paraphrase Canetti, we have reached a point where nothing is beautiful or ugly any more; we passed that point without realizing it and, since we cannot get back to that blind spot, we can only persevere in the current destruction of art.”

ArtRealityPerseveranceUndistinctiveness
Book:The Intelligence of Evil or the Lucidity Pact
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“The virtuality of war is not, then, a metaphor. It is the literal passage from reality into fiction, or rather the immediate metamorphosis of the real into fiction. The real is now merely the asymptotic horizon of the Virtual. And it isn't just the reality of the real that's at issue in all this, but the reality of cinema. It's a little like Disneyland: the theme parks are now merely an alibi - masking the fact that the whole context of life has been disneyfied. It's the same with the cinema: the films produced today are merely the visible allegory of the cinematic form that has taken over everything - social and political life, the landscape, war, etc. - the form of life totally scripted for the screen. This is no doubt why cinema is disappearing: because it has passed into reality. Reality is disappearing at the hands of the cinema and cinema is disappearing at the hands of reality. A lethal transfusion in which each loses its specificity. If we view history as a film - which it has become in spite of us - then the truth of information consists in the postsynchronization, dubbing and sub-titling of the film of history.”

RealityCinemaLiteralismVirtualizationDisneyficationMilitary Entertainment Complex
Book:The Intelligence of Evil or the Lucidity Pact
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“All this follows a kind of dizzying whirl, as though this growing abstraction, this rise of an integral hyperreality, were itself a response to a hypersensitivity to certain final conditions. But what final conditions? Reality will have been only a fleeting solution then. Indeed, it merely succeeded others, such as the religious illusion in all its forms. This truth, this rationality, this objective reality - which we took in exchange for religious values, imagining that we had moved definitively beyond them - is only the disenchanted heir to those same religious values. It does not seem ever genuinely to have gained the upper hand, as it happens, nor does it appear that the transcendent solution is entirely past and gone or that God is dead, even though we now deal only with his metastases. Perhaps that solution was merely eclipsed and it is emerging from its eclipse in reaction to this very intensification of reality, to the weight of an ever more real, ever more secular world in which there is no possibility of redemption. Reality too is a hinterworld and a substitutive illusion, and in fact we live in this 'real' world as in a hinterworld. It is merely that we have succeeded in negotiating it in a way that does without heaven and hell (though not without debt and guilt, for which we are now answerable to ourselves). Have we gained or lost on the deal? There is no answer. We have exchanged one illusion for another, and it turns out that the material, objective illusion, the illusion of reality, is as fragile as the illusion of God and no longer protects us, once the euphoria of science and the Enlightenment is past, from the fundamental illusion of the world and its absence of truth. In fact, this secular, desacralized reality has slowly become a useless function, the fiction of which we are desperately attempting to rescue (as once we attempted to rescue the existence of God), but which, deep down, we do not know how to rid ourselves of.”

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Book:The Intelligence of Evil or the Lucidity Pact
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“It seems nothing can counteract the proliferation of this Artificial Intelligence based on the zero degree of thought. Nothing, that is, except this reversibility of intelligence and stupidity - the latter representing a renewed challenge to victorious intelligence. There is something here too like a revenge of evil. Something to which the tyranny of reality leads equally well - to appreciating any old form of madness and illusion.”

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Book:The Intelligence of Evil or the Lucidity Pact
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“The original void is amorphous, sterile, homogeneous, symmetrical. It is perfect. No reality can emerge there. It is absolute illusion. This symmetry has to be broken if a law-governed materiality is to establish itself -- an imperfection, in which real bodies emerge (but where can such an imperfection possibly come from? What sets off breakings of symmetry?). Of that imperfection, we --human beings -- are the trace, since perfection is of the order of the inhuman. We are also, however, the heirs of the Void, of the Nothing, of that primal scene of absence, that perfectly indecipherable and enigmatic state of the Universe -- a situation which will never be compensated for by the real and the hegemony of the real. We are the heirs both to symmetry and to breakings of symmetry, and our imperfection is as radical as the radical illusion of the Void can be.”

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Book:The Perfect Crime
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“Why might there not be as many real worlds as imaginary ones? Why a single real world? Why such an exception? Truth to tell, the real world, among all the other possible ones, is unthinkable, except as dangerous superstition. We must break with it as critical thought once broke (in the name of the real!) with religious superstition. Thinkers, one more effort! In any case, the two orders of thought are irreconcilable. They each follow their course without merging; at best they slide over each other like tectonic plates, and occasionally their collision or subduction creates fault lines into which reality rushes. Fate is always at the intersection of these two lines of force. Similarly, radical thought is at the violent intersection of meaning and non-meaning, of truth and non-truth, of the continuity of the world and the continuity of the nothing.”

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Book:The Perfect Crime
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