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I Quotes

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All I Quotes

“I picture myself at the surface of an ocean: the course of my life is played out as a descent to the sea bed. As I drop down I clutch at and try to reach blurred but alluring images representing the vocation of writer, actor, comedian, film director, politician or academic, but they all writhe and ripple flirtatiously out of reach, or rather it would be truer to say that I am afraid to leap forward and hug one of them to me. By being afraid to commit to one I commit to none and arrive at the bottom empty and unfulfilled. This is a self-aggrandizing, pitiful and absurd fantasy of regret, I know, but it is a frequent one. I close whatever book I have been reading in bed, and that same film plays out again and again in my mind before I sleep.”

“I picture the evidence for the deity of Jesus to be like the fast-moving current in a river. To deny the data would be like swimming upstream against the current. That doesn't make sense. What's logical, based on the strength of the case for Christ, is to swim in the same direction the evidence is pointing by putting your trust in Jesus as your forgiver and leader.”

“I picture the vast realm of the sciences as an immense landscape scattered with patches of dark and light. The goal towards which we must work is either to extend the boundaries of the patches of light, or to increase their number. One of these tasks falls to the creative genius; the other requires a sort of sagacity combined with perfectionism.”

“I pictured the two of them alone. Perhaps showering together, as Rome and I liked to do. My stomach clenched painfully, amusement forgotten. “Cody, will you take me to the nearest clinic? I need someone to dig the knife out of my back. Lexis might need it again. And the good doctor might want to give me a tetanus shot. I think she bled on me.” Stunned silence. I often had that effect.”

“I pinch the sentence's butt with my other hand and tug it from my skin like a leech, smack it back on the page and clamp the book shut. Part of it's hanging out, and it waves jerkily at me with what appears to be blatant hostility. I stick the book back on the upside-down shelf over my head, pissed off sentence first, counting on the gluey base to hold it in. All I need is a badly mangled, irate sentence stalking me.”

“I pinched tendrils of periwinkle at the roots until they hung in long, limp strands, and grabbed a dozen bright white spider mums. I wrapped the periwinkle tightly around the base of the mums like a ribbon and used florist's wire to create loose curlicues of the leafy groundcover around a multilayered explosion of mums. The effect was like fireworks, dizzying and grand.”

“I pinched the rock-hard muscle of his forearm. Rhys flashed me a wicked grin before he titled down- Mountains and snow and trees and sun and utter free fall through wisps of cloud- A breathless scream came out of me as we plummeted. Throwing my arms around his neck was instinct. His low laugh ticked my nape. 'You're willing to brave my brand of darkness and put up one of your own, willing to go to a watery grave and take on the Weaver, but a little free fall makes you scream?' 'I'll leave you to rot next time you have a nightmare,' I hissed, my eyes still shut and body locked as he snapped out his wings to ease to a steady glide. 'No, you won't,' he crooned. 'You liked seeing me naked too much.' 'Prick.' His laugh rumbled again me. Eyes closed, the wind roaring like an animal, I adjusted my position, gripping him tighter.”

“I pinned my hair back, took another sip of sotwine, and went to work. I moved throughout the crowd in slow, familiar steps as I went about my dance: waiting for the right look, the proper fleeting glance, before approaching with a small smile; then, my eyes fluttering, I’d recall the best greeting, the best clever comment; or the right movements, or the right positioning; or when to look them in the eye, or look away; or when to let my hair fall in my face, and when to pin it back again. To others, the dance might have seemed artful, yet to me, it was routine. I had memorized this method over the past year as I’d moved from place to place: much like picking a lock, some combination of these gestures and exchanges worked to win the right attentions.”

“I pitched Jay Hunt the opening scene (prime minister, middle of the night, he's woken up...). She paused, and then she laughed. She was very intrigued and all that, and then she said, "Does it have to be a pig?" So we went through various options: Could it be a supermarket frozen chicken? A giant wheel of cheese? A pig seemed just the right level of absurd, but then when he walks in and there's actually a pig there, it's awful.”