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Emotional Quotes

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Emotional Quotes

“People who hold on to grudges, insist on being right, and try to change other’s minds have a difficult time maintaining healthy, happy relationships. Surrendered people easily forgive. They are open to new ideas, and aren’t attached to being “right.” As a result, people love working and collaborating with them. Others seek them out as mediators and advisors. They are more laid back and relaxed than their rigid counterparts, which makes them highly valued by others. They are passionate and emotional.”

“It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.”

“Characters exist in a flat line until we challenge them - sometimes they challenge themselves, sometimes they're challenged by other people, by nature, by robots, or by fungal infections in and around one's nether-country. Stories need conflict across the physical, emotional, intellectual and spiritual spectra. Accidents, betrayals, cataclysm, desperation, excess - these are the letters in the alphabet of conflict.”

“Today, financial capital is no longer the key asset. It is human capital. Success is no longer about economic competence as the main leverage. It is about emotional intelligence. It is no longer about controls. It is about collaboration. It is no longer about hierarchies. It is about leading through networks. It is no longer about aligning people through structures and spreadsheets. It is about aligning them through meaning and purpose. It is no longer about developing followers. It is about developing leaders.”

“My mom has kind of been more of the emotional support system. One time I was really feeling all out of it, just dealing with a lot of cooks in the kitchen and adjusting to what it means to be in the music industry, and I called her. One of the first things she said to me was 'You have to be thankful that these people even like you, no one liked me, at all, I was not really accepted for a very long time.'”

“I still partially suffer from the delusion that if you explain things logically and systematically, most people will abandon their emotional prejudices and respond to logic. But I don't suffer from that delusion as wholeheartedly as I did in the past. So if there's a fundamental difference, it's that I've accepted the fact that most imbeciles will never 'get' me and I shouldn't allow myself to get so upset about it.”

“HIV criminalization is a global trend, but surprisingly Canada has some of the worst HIV laws in the world - they have incarcerated 200 people to date who have not infected anyone, and half of them are black. This is emotional manipulation that began as an anti-immigrant measure and has devolved into an exploitation of sexual anxiety. It's a crisis of meaning.”

“In cyberspace, we get many fewer cues about the emotional states and attitudes of the people we're talking to. That makes it less interesting, easier to mis-communicate, and more likely to destroy trust. So you need to treat cyberspace with care, especially being aware of the fragile nature of trust in the virtual world.”

“There are two kinds of comments that I get. One is, oh, you're such a natural up there, and the other one is, you're working hard up there. And the ones who say I'm working hard are teachers, they're the educators; they're the people who are the performers. It's a huge investment of my psycho-emotional energy to pull that off and to make it look smooth.”

“I don't like the way most people think. It's imprecise. I find that when parents ask me questions, they ask very imprecise questions. They say, "My kid has behavioral problems at school." Well, I have to say, "What kind of problems? Is he hitting? Is he rude? Does he rock in class?" I need to narrow questions to specifics. I am very pragmatic and intellectual, not emotional. I do get great satisfaction when a parent says, "I read your book, and it really helped me."”

“The Freudian tradition will never completely die because it has a few good points. For example, people have motives and thoughts of which they are unaware. Most of cognitive therapy has now adopted a similar idea. On the other hand, the relationship part of psychoanalysis - where you must have a deep, emotional relationship with the client - will, I think, get kicked in the teeth one of these days.”

“The Limits Of Control is not surrealism, but it is an experiment in which expectations are deliberately removed: expectations for narrative form, for action in a film, for certain emotional content. We wanted to remove those things and see if we could still make a film that was a beautiful film experience, with deliberately removing things many people would expect.”

“Writing fiction lets you be a little more emotional and unguarded, a little freer. Writing fictional characters is also really different from writing about real people. In nonfiction, you can only say so much about the people you interact with. After all, they're actual people, their version of their story trumps yours. In a novel, you can build a character, using certain parts or impressions of someone you know, and guessing or inventing others, without having to worry that your guesses or memories or inventions are wrong.”

“As a society, we are typically deeply disassociated from animal cruelty, but more than ever, animal protection organizations are telling the backstory. People are being forced, to confront the realities. At the same time, we have an ever-growing understanding of the intelligence and emotional capacities of animals and an acceptance of the principle that animal cruelty is a moral problem.”

“I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.”

“All people share the same desire to be treated equally. We all go through similar emotional journeys from love to hate, rejection to acceptance. I think the most important thing for dance right now is to allow for more empathy and understanding between people of different races and socioeconomic statuses. In our society we need to build bridges.”

“For us what we're trying to do is find the right balance of creating a space for emotion that leads to a sense of empathy and solidarity rather than a sense of division. In my most grandiose moments I think of HuffPost as a platform that makes solidarity possible, that really thinking about the emotional content of stories is a way to help people who think, or who have been manipulated to think, that they're interests are opposed to one another, that they actually are aligned in a fundamental way and they're actually in the same boat.”

“I think there is nothing that can replace your emotional response. The biggest mistakes I have ever made in my life are when people told me, "You really should produce this. It's a guaranteed hit." I would read the material and I would go, "I don't get it, but okay, I'll produce it." You're giving up that much of your life, your time with family and friends, to something that you're not really committed to - and they did not pan out the way everyone said they would, even though I worked just as hard.”

“Surrendered people enjoy life, relish their personal development, and value their friends. They may have an exceptionally good career and be wealthy, but they are more concerned with meaning and fulfillment. The drive to acquire money and power is a behavior that drains people of their passion and emotional connection to others.”

“'Hoop Dreams' brought us back to our roots in veríté filmmaking. What we saw in the powerful emotional scenes within it - at nearly three hours long and with no star power - was an outreach to a different and more important audiences. There were the similarly involved folks who saw it that were part of the struggle, but there was also a new audience that weren't empathetic or sympathetic to the people we were portraying. They would never watch a film about inner city families, but they watched 'Hoop Dreams.'”

“Leftists put in these emotional, illogical, and irrelevant terms, and they make people's hearts melt, "He's so wonderful. He cares about people." And so you get open borders, you get open borders in Europe. And, by the way, it's always a one-way street. Why are refugees incapable of shelter and love and compassion in their own countries? That's a good question.”

“We know the 65-point policy points, to the extent that they exist, but is Hillary Clinton willing to be vulnerable, is she willing to be funny, is she willing to be both authoritative, but also real? And so less what she says than the emotional tone she sets. It takes a lot of confidence to be a vulnerable speaker on this stage. And sometimes she hasn't always projected the confidence it takes to be in some ways weak. But that's what I think people were looking for, that moment of human connection.”

“What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.”

“I'd seen her name on a call sheet for so many years and been called Jo so many times. If people said Jo in the street, I used to turn round because I was so used to being called Jo for five years on Spooks. You do get so used to being called something. Often, it was someone calling their young son... but sometimes it was people calling after me because they recognised me from the show. So, it was a big deal when it happened and it was quite an emotional end.”

“When you have people who are embarrassing themselves for a living, who are making themselves look foolish and vulnerable and emotional for a living, your day-to-day reality is going to be a high-wire act. People are going to get in fights. People are going to get upset. People are going to walk off set. People are going to call each other names. It happens on every film that has any emotional people.”