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Perspective Quotes

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Perspective Quotes

“From a productivity perspective, prioritization is key. And it's very easy to focus on clearing the decks of minutia, especially when one's very busy. It's almost easy to want to sit down at your desk when you have a free five minutes and try to clear out some of the incoming emails rather than strip things strategically and foundationally and ask about what the most important objectives for you and the company are.”

“I've been in real estate for a long time and I always try to stay on the edge. I'm really excited about the partnership with Trulia because it's centered around technology and the various social engagements it lends itself to. This is real estate going forward with a mobile and social application. It fits my profile and perspective.”

“If I've been hurt, I'm not one of those people who can hide it or bury it deep within. I give myself time to work through it, cry, journal, pray, call my best friends. Then I try to take a step back and get perspective. I try to remind myself of all the positive things in my life and do my best to let it go.”

“Cry Baby is about Cry Baby and the next album [which I think I have a title for but I don't wanna say anything yet because I don't know and it's too early] is a place in the weird town that I'm trying to create and its Cry Baby's perspective throughout this album. You're not learning about her, you're learning about the place that she's in and her perspective. Down the line for sure I will think of other characters in this world.”

“The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!”

“In many ways the book [Saving Calvinism] is trying to argue for a more popular audience things I've said in some more scholarly works, namely, that the Reformed tradition is broader and more variegated than is often reported today, and that we need to recapture something of this in order that we don't end up unnecessarily narrow in our doctrine and in order to keep some perspective.”

“I think we could benefit from world history that is specifically taught in a multi-faceted fashion that allows for an understanding that perspectives on truth can be very different. I'm an advocate of an approach that endeavors to foster empathy and which tries to find a common humanity across the divide.”

“Tolerance has been a very important feature of Christianity from its very roots, despite all the other things that have gone on since. And that, I think, must be the global perspective. Tolerance implies more than saying, "Well, let the Muslims go on with what they are doing." It also means trying to learn something from them and adding that to your own tradition. That is the attitude I think needs to inform the global citizen of the future.”

“Some of songs are autobiographical and some of it is more telling a story from someone else's perspective. It's healthy for me to do that because, oftentimes, it can become too narcissistic if I'm trying to express myself all of the time. My problems are what I'm going through and sometimes it's nice to take a step back and feel what someone else is going through and that can help.”

“I never expected Star Wars to all of a sudden become like The Matrix and change perspective on things. I respected it trying to stay close to the style of what George Lucas was originally doing. I don't understand how people can hate them. I think even the most cynical person can find something that reminds them of the Star Wars they loved. They're not void of that. Maybe there are holes, but it's like your family: You accept people's shortcomings, and you still love them.”

“In fact, our need to feel like big shots keeps us wedded to inadequate perspectives on the world, keeps us from exploring and dealing with what doesn't fit into those perspectives. We should be trying to formulate a bigger, richer perspective to accommodate what doesn't fit, but no matter how beautiful and true that new perspective looks to us, we should always be prepared to acknowledge that it doesn't accommodate something we haven't yet confronted.”

“My own view - and I'm very open to hearing other perspectives - is that this movement-building needs to begin at home, in local communities. It isn't about trying to launch a brand new national party overnight. It's about people in communities coming together across lines of difference, bringing with them their movements, their families, and coming together and saying, "How can we together build a movement of movements here at home? What would that look like? What do we want to do right here in our communities?"”

“I try and get on my yoga mat at least three times a week, and if I don't, things start to unravel. I admire routine and ritual, but I am not inherently good at keeping a schedule. I eat at different times every day, I wake up at different times, I change my mind about things I was so sure of the day before. Perhaps I am too passionate, too willing to bend the rules in the name of fun, or to pass the time, or who knows what? Being on stage is truly what puts it all into perspective, and after I get on stage, I take a moment to reflect, and I am set for another 24 hours.”

“As a political activist you run the risk of having to settle for one compromise or another in order to achieve your goals. Artists face the obvious accusation of elitism. The fundamental principle of my work is that it critiques capitalism in very specific ways. I am not interested in generalized political rhetoric. Instead of "aestheticizing" political issues, I try to challenge ingrained perspectives.”

“I'm not sure that all books aren't that way. I think that might apply to any book I was writing. The book was kind of the product of this enormous infatuation I had, not only with the office and office politics, but with perspective, and trying to tell a story from as wide a range of perspectives as you possibly can. I tried to capture it all with the first-person plural, but once I settled on that, I used it to tell the story from as many angles as I could. I guess, to put it romantically, it was about a love affair with the craft of perspective.”

“I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.”

“That's really the essence of what any fiction writer does. Some of it is research-based, but most of it is a really long-term, imaginative, empathetic effort to see the world the way someone whose experiences remote from yours might see it. Not every writer works that way; some writers make a wonderful career out of writing books that adhere very closely to how they view the world. The further I go with this, the more interested I get in trying to imagine my way into other perspectives that at first seem foreign to me.”

“You have the management team, coaching staff, film staff, analytics team, training staff and playing team, and you're trying to manage all that and it's overwhelming. And then you have the media responsibilities. I don't know that I help at all, but I would think my value would be to help provide more of a clear-headed view from the outside. It's not like I have huge opinions, but I do have my point of view and perspective.”

“When you are thinking about whether you have an obligation to try to save people's lives, you don't usually think, well, how close by are they? Understanding what we are reacting to can change the way we think about the problem. If, biologically, morality evolved to help us get along with individuals in our community, it makes sense that we have heartstrings that can be tugged - and that they are not going to be tugged very hard from far away. But does that make sense? From a more reflective moral perspective, that may just be a cognitive glitch.”

“I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.”

“When so many of our dreams had come true and yet I still saw that so many of my friends were in a lot of pain... I saw their pain from a different perspective and realized that I can't just sing my way out of all this suffering. I have to try to understand human nature and myself and the nature of suffering and a lot of these other issues on a deeper level.”

“I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.”