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“As a revolutionary people, we Americans won a probable victory over the best and biggest army in the world because we learned to fight from the Indians. You can do a lot of damage with a Kentucky rifle from behind a tree. You don't put on a peaked hat and a red coat and white leggings and crossed white bandoleers with a big silver buckle in the center of the X and march uphill into a line of Howitzers loaded with chain and chopped horseshoes.”

“The question becomes what kind of coalition can we build that will make a transition and empower the people of Iraq? The American soldiers' presence there is an act of provocation. There's a big red ball on the back of every American soldier in that country, so our being there contributes to the crisis, it does not resolve the crisis.”

“It's pretty simple, the way I look at it. I became a Hall of Famer here (in New York), with my numbers here and what I've done here, and hopefully three-hundred will be another big part of that. When (former Red Sox general manager Dan) Duquette said that I was done, if I'd have taken his advice and went home, I wouldn't have been a Hall of Famer. So it's a no-brainer. It's definitely pretty easy. Reggie (Jackson) spent five years here, and this will be five for me.”

“Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.”

“My mom always said that she didn't wear a red nose and big shoes because that's the reason people are scared of clowns. My dad is a sociology teacher, so he probably figured that out with her. Those are the things that are exaggerated, that don't give off the signals of humans. You know, if you draw a picture of a circle and ask somebody to feel empathy with the circle, they won't. But if you draw literally two, three dots inside the circle, like two eyes and a nose, you immediately feel empathy.”

“To secure the safety of the navigation of the Mississippi River I would slay millions. On that point I am not only insane, but mad... I think I see one or two quick blows that will astonish the natives of the South and will convince them that, though to stand behind a big cottonwood and shoot at a passing boat is good sport and safe, it may still reach and kill their friends and families hundreds of miles off. For every bullet shot at a steamboat, I would shoot a thousand 30-pounder Parrots into even helpless towns on Red, Ouachita, Yazoo, or wherever a boat can float or soldier march.”

“It's nothing but a big stroke job in this country. The government strokes you every day of your life. Religion never stops stroking you. Big business gives you a good stroke. And it's one big, transcontinental, cross-country, red, white and blue stroke job... Do you know what the national emblem for this country ought to be? Forget that bald eagle. The national emblem of this country ought to be Uncle Sam standing naked at attention saluting, and seated on a chair next to him, the Statue of Liberty jerking him off. That would be a good symbol for the United Strokes of America.”

“I was in the hospital for a month and a half of my first-grade year, so I missed a lot of school. I remember that I returned home from the hospital and there was a bicycle waiting for me in front of the house, a yellow and red bicycle with a big banana seat on it. This was 1980, and it's still my favorite bike.”

“I do a lot of work with the Red Cross, too. As a reporter, before I went to entertainment news, I tended to follow natural disasters. I went to Charleston, South Carolina, after Hurricane Hugo. I went to Miami the year after they were recovering from Hurricane Andrew. I came to California when they were recovering from a big earthquake. I've seen the Red Cross and how they stay there years after a natural disaster. They're not just there when a disaster is happening.”

“With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.”

“Who will mourn the passing of our magnificent kangaroos? Who will remember how the bush once danced in rhythm with the thumping, jumping kangaroos who flew over fences their great tails drumming on the earth? Who will remember the big red male kangaroo lying in the desert sun, his coat almost indistinguishable from the red earth from which he came?”

“I got pictures of us and they would draw big red rings around us and tell what they thought of us. I got a letter said, "I have been shot three times throught the heart. I hope I see your second act." But this white man who wants to stay white, and to think for the Negro, he is not only destroying the Negro, he is destroying himself, because a house divided against itself cannot stand and that same thing applies to America.”

“Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.”

“Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.”

“Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.”

“Still, I wonder if we shall ever be put into songs or tales. We're in one, of course; but I mean: put into words, you know, told by the fireside, or read out loud of a great big book with red and black letters, years and years afterwards. And people will say: 'Let's hear about Frodo and the Ring' and they'll say 'Oh yes, that's one of my favorite stories.”

“A few weeks later, I’m in a fluorescent-lit classroom in Chelsea awaiting the start of the official Mensa test. I’m sitting next to a guy who’s doing a series of elaborate neck stretches, like we’re about to engage in a vigorous rugby match. He’s neatly laid out four types of gum on his Formica desk: Juicy Fruit, Wrigley Spearmint, Big Red, and Eclipse. I hate this guy. I hope to God he’s not a genius.”

“I don't mean you disregard every rule of your community. I don't go around naked, for example. I don't run through red lights. The little things, I can obey. But the big things- how we think, what we value- those you must choose yourself. You can't let anyone-or any society- determine those for you. ' -Morrie Schwartz”