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Rooms Quotes

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“Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.”

“Genitive is a funny word because it means "from," but it also is the gender in European languages for objects: the masculine, feminine, and neuter. So if you have a genitive present, there's room for everybody to fit in. I just did a project in Vienna about rock, paper, scissor; you change the gender and it simply changes the whole thing. Rock is no longer a male. It doesn't function the same way.”

“I follow the baseball team on the Internet more than I do the football team. Generally you can get a Nebraska game anywhere. Before I started doing big arenas and stuff and had a tour bus when I was just working comedy clubs way back when I would always listen to the games in my hotel room on the Internet.”

“Don't get in the way of children who find it natural and obvious to explore the world around them - even if it means they make a mess of your kitchen or living room. It's all about your perspective on these things. Let them play. When you do, the kids do not have to be reintroduced to ways of questioning nature, and the task of promoting science would be a trivial exercise.”

“What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.”

“I've always been able to write rhymes and that would be like when you consult with your girl. When I'm mad and s - t like that I would throw headphones on and close my room door, when I'm mad I just close the door with my girl and f - k her. In so many different ways hip-hop has been like my girl and it's always been there to hold me down.”

“Don't get me wrong. I like Disney World. The rest rooms are clean enough for neurosurgery, and the employees say things like "Howdy, folks!" and actually seem to mean it. You wonder: Where do they get these people? My guess: 1952. I think old Walt realized, way back then, that there would eventually be a shortage of cheerful people, so he put all the residents of south western Nebraska into a giant freezer with a huge picture of Jiminy Cricket on the outside, and the corporation has been thawing them out as needed ever since.”

“Whiles in the early Winter eve We pass amid the gathering night Some homestead that we had to leave Years past; and see its candles bright Shine in the room beside the door Where we were merry years agone But now must never enter more, As still the dark road drives us on. E'en so the world of men may turn At even of some hurried day And see the ancient glimmer burn Across the waste that hath no way; Then with that faint light in its eyes A while I bid it linger near And nurse in wavering memories The bitter-sweet of days that were.”

“I've had a lot of glamour come my way in the last 10 years - you know, movie stars and mansions and red carpets and trips to Europe and crazy stuff I never would have imagined - and I look at them as if I'm the bartender in the corner of the room. They've never gone into my psyche. I look at them with distance, and wonder.”

“In a novella, a whole lot of crap can happen, and you can build momentum and suspense and leave room for a surprise or three. Stories are cut down to the most essential elements, and novels (this might be an unfair generalization on my part) are big fat clumsy efforts where the reader can snooze for a couple chapters and miss nothing of consequence. Hence my love for the middle way.”

“In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.”

“Self-defense is so important to know in today's society. It's not just that you might get mugged. It's more for confidence. It's the way you hold yourself when you walk into a room. Every step you take is more sure and you're much more aware of your surroundings. So, I think it's a really important thing - especially for women.”

“When I went to the University of Iowa in order to be a writer, I thought, This is the worst way to learn how to write. To sit in a room with a bunch of would-be writers, who want to write the Great American Novel, every one of them, and you read their stories and they read yours, and you're not living a life. I don't like that. I like learning on the job. The character of my work has definitely evolved from the character of my life.”

“I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.”

“Sometimes I felt lonely because I pushed people away for so long that I honestly didn't have many close connections left. I was physically isolated and disconnected from the world. Sometimes I felt lonely in a crowded room. This kind of loneliness pierced my soul and ached to the core. I not only felt disconnected from the world, but I also felt like no one ever loved me. Intellectually, I knew that people did, but I still felt that way.”

“The testimony of the greatest humans who have ever lived is that the way to make the most of ourselves is by transcending ourselves. We must learn to move beyond self-centeredness to make room within ourselves for others. When you transcend yourself, the fact will be confirmed by the quality of your life. We will attain - even if only momentarily - a transparency and a radiance of being which results from living both within and beyond yourself. This is the promise and the excitement of self-understanding.”

“You get a kind of surreal feeling and also it allows you to focus on the things we want you to focus on in a new way - the stuff that's very small and mundane that happens in a person's life when they're in a hotel room. There's more interest because you're seeing a puppet do things that you're very familiar with that you might not notice if it was a human doing it.”

“But the real intent of my writing is not to say, you must think in this way. The real intent is to enrich: here are some of the many important facets of this extraordinary Kosmos; have you thought of including them in your worldview? My work is an attempt to make room in the Kosmos for all the dimensions, levels, domains, waves, memes, modes, individuals, cultures, and so on ad infinitum.”

“As I was whizzing around the United States on yet another demented book tour, getting up at four in the morning to catch planes, doing two cities a day, eating the Pringle food object out of the mini-bar at night as I crawled around on the hotel room floor, too tired even to phone room service, I thought, 'There must be a better way of doing this'.”

“I did most of my volunteer work when I was in college because I knew of more ways to get involved. In high school, we'd do things like, there was a homeless shelter near our hometown and our church group decorated one of the rooms. In college, I was in a sorority, and we did a lot of things, like pick up trash on the highway.”

“There's always room. That's what the directors usually want. They want the performer to bring themselves and give what they have to give for the role. The smart ones allow that to happen because then it becomes even more organic within the performer's imagination. It becomes even more real. It's not always a given in other films, but when Gunn works, and we all work together in a collaborative way like that, it becomes a given that you bring it. It becomes a lot of fun.”