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C Quotes

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All C Quotes

“Ceci est une idée à laquelle je ne saurais m’associer parce que je n’en vois pas la nécessité. Rien ne prouve qu’il en soit ainsi. Rien ne prouve que la civilisation, si compliquée et si intéressante qu’elle soit, ne soit pas à la merci d'un incident quelconque. Elles sont mortelles, les civilisations, elles peuvent mourir d’un siècle à l’autre, et il n’est pas dit que la civilisation européenne ne fasse pas comme les civilisations égyptienne, grecque ou romaine, qui ont disparu et qui ont été remplacées par des époques de barbarie et de sauvagerie. Peut-être en sommes-nous beaucoup plus près que nous ne pensons. C’est pourquoi au mot progrès je préfère le mot aventure, c’est-à-dire cette non-salvation, ce changement intime qui se produit, changement qui ne sait pas de lui-même à quoi il aboutit, qui ne sait pas lui-même où il va, s’il court à une catastrophe ou à une amélioration, ceci est en dehors de la question. Le sort même des humains n’est pas en question, pas plus que dans un rêve ce qui va se passer n’est en question. Il n’y a pas de but. Chaque instant est capable de conduire là où on ne savait pas aller.” Excerpt From: Paul Valéry. “Cours de poétique”. Apple Books. d’un incident quel”

“Cecil abandoned one of his regular jobs and with some money he had saved up he spent the winter months studying and composing. In the spring a contract came up for a few days, in a Brooklyn bar, where the experience of that first night repeated itself yet again. While he was returning home by train, the movement, the passage of the immobile stations brought about in him a state conducive to thinking. So he realized that the logic of the whole thing was perfectly clear, and wondered why he hadn’t seen it earlier: in all of the stories which Hollywood had brainwashed him with, there is always a musician who isn’t appreciated at the beginning but is at the end. There was the error: in the passage from failure to success, as if they were point A and point B, connected by a line. In reality failure is infinite, because it is infinitely divisible, which isn’t possible with success.”

“Cecile was teaching in Berkeley and I was [at Livermore]. He probably had, could have had, some influence on Teller, [for] Teller was quite generous in allowing me one whole semester off to be at Berkeley to work on something and also a semester off at the Institute for Advanced Study. Then I won the Gravity Research Foundation first prize.”

“Cecily pointed out that writing about the different flavors of unhappiness was all well and good, but the plan was to get Kate back to happy--- and to focus more on that. She'd loved doing it, though, and by the time she'd written down "Lunch for When You're Thoroughly Bored with Yourself"--- slow-roast chicken with lemon and harissa, with a butter-drenched baked potato, followed by warm chocolate-cookie pudding with cream--- any urge to contact Nick had passed, and she was back to thinking he was an idiot--- and that she was not only the icing but the whole entire cake.”

“Cecily said, "That's the difference between optimism and naivety. No one in this room is naive. Naive people haven't been through real trials yet, so they think it could never happen to them. Optimists have been through it already, and we keep getting up each day because we believe we can keep it from happening again. Or we trick ourselves into thinking it." Richard said, "All belief is a trick.”

“Cecy, what are you doing here?" She took a step forward, then paused on the threshold, glancing down at her bare feet. “I could ask of you the same.” “I like to talk to the horses at night. They make good company. And you should not be out and about in your nightgown. There are Lightwoods wandering these halls.”

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“Cedo le armi. L'idea di Roma come spazio franco e rifugio di banditi: ecco qualcosa di affine. C'è qualcosa di antico nell'immagine del fuggiasco che viaggia nella tempesta, vede una capanna, bussa e viene accolto. Il templum. Il sacro perimetro che ti salva. Il luogo rifugio che nelle lingue del Mediterraneo d'Oriente ha lo stesso nome della santità. Barak. La baracca. Che poi sta alla radice di Barka, la gens di Annibale, e di Barcellone. Il vino ha chiuso il cerchio.”

“Cedo ou tarde, na vida, cada um de nós se dá conta de que a felicidade completa é irrealizável; poucos, porém, atentam para a reflexão oposta: que também é irrealizável a infelicidade completa. Os motivos que se opõem à realização de ambos os estados-limite são da mesma natureza; eles vêm de nossa condição humana, que é contra qualquer “infinito”.”

“Ceea ce acum poarta numele de filosofie naturala, cuprinzand intregul cerc al stiintei, unde astronomia ocupa pozitia principala, reprezinta studiul lucrarii lui Dumnezeu si al puterii si intelepciunii lui Dumnezeu din lucrarea Sa, aceasta fiind adevarata teologie. [...] Cat despre teologia studiata acum in locul acesteia, este vorba despre studiul opiniilor si inchipuirilor omenesti despre Dumnezeu.”

“Ceea ce încercau, în schimb, să facă poeţii şi pictorii japonezi se poate ilustra excelent printr-o anecdotă celebră. Se spune că într-o zi un mare general, îmbrăcat într-o armură strălucitoare, aştepta o vizita. Fu informat că urma să vină cineva care nu trebuia să-i vadă îmbrăcat în armură, aşa că îşi trase pe el în grabă o mantie uşoară de mătase albă. Efectul dat de sclipirea armurii lustruite prin mătasea subţire este cel spre care năzuiau poeţii. Scriitorii japonezi n-au dorit niciodată să descrie întreaga măreţie a generalului cu armură, nici toată frumuseţea unei zile de primăvară. Ei au preferat să vorbească despre sclipirile metalului, sau despre înflorirea unei singure flori, făcîndu-ne astfel pe noi să ne imaginăm restul întregului din care s-au distilat aceste citeva picături.”