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F Quotes

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“Fils, s'il t'est donné de vivre, tu rencontreras sur ta route des hommes qui sont suivis par des troupeaux de montagnes. Des hommes qui arrivent dans des pays, nus et crus. On remarque à peine que leurs mains ouvertes éclairent l'ombre comme des veilleuses. Quand on le remarque. Et voilà que les montagnes se lèvent et marchent à leur suite. Et voilà que tous les mécaniciens de raison tapent du poing sur leurs tables. Voilà qu'ils crient : « Il y a dix ans que je cherche des formules, dix ans que je noircis du papier, dix ans que j'use des arithmétiques. Dix ans que je cherche le bouton secret ». Et celui-là est arrivé et il a dit tout simplement : « Montagne » et puis la montagne s'est dressée. Où est la justice ? « Elle est là, fiston la justice. L'espérance… »”

“Filter for a Frail Horizon: I lose a breath while I'm thinking, Misplace a second as it passes out of time. A splice of memories now missing, I think a moment passed where I forgot to die. And so this day is becoming... High in tide that will take me home, Conceals a current running straight through hell. It caught me drifting from the world I know, A broken crest on a rising swell. And surely hope is resigning...; I think I'm waking from another dream, I won't remember how I made it out alive. The focus centres on uncertainty, The null and voids have become a way of life. And so my self is descending...”

“Filthy-minded old bastard,' he muttered viciously under his breath. No wonder the world such a rotten place, rotten and filthy and cheap and smelly. Where is that place they talk of and paint nice pictures of and described in all the homey magazines? Where is that place with the clean, white cottages surrounding the new, red brick church with the clean, white steeple, were the families all have two children, one boy and one girl, and a shiny new car in the garage and a dog and a cat and life is like living in the land of the happily-ever-after? Surely it must be around here someplace, someplace in America. Or is it just that it's not for me? Maybe I dealt myself out, but what about that young kid on Burnside who was in the army and found it wasn't enough so that he has to keep proving to everyone who comes in for a cup of coffee that he was fighting for his country like the button on his shirt says he did because the army didn't do anything about his face to make him look more American? And what about the poor niggers on Jackson Street who can't find anything better to do than spit on the sidewalk and show me the way to Tokyo? They're on the outside looking in, just like that kid and just like me and just like everybody else I’ve ever seen or known. Even Mr. Carrick. Why isn't he in? Why is he on the outside squandering his goodness on outcasts like me? Maybe the answer is that there is no in. Maybe the whole damn country is pushing and shoving and screaming to get into some place that doesn't exist, because they don't know that the outside could be the inside if only they would stop all this pushing and shoving and screaming, and they haven't got enough sense to realise that. That makes sense. I've got the answer all figured out, simple and neat, and sensible.”

“Fin da quando avevo imparato a leggere, mi avevano sempre infastidito le storie che contenevano un insegnamento morale, un tentativo educativo o comunque un secondo significato celato dietro avvincenti prolusioni o sotto le mentite spoglie di una fiaba. Avevo sempre avuto l'impressione che questo uso improprio della parola mirasse a ingannarmi, e d'istinto smettevo di leggere o di ascoltare non appena cominciavo a sospettare che la narrazione avesse lo scopo d'instillarmi una saggezza che qualcun altro riteneva importante, una virtù che a qualcun altro sembrava bella - invece di raccontarmi una storia, dato che le storie sono la cosa più splendida che si possa raccontare.”

“Fin dalla prima volta, da quando sono stato morso, so parlare il Black Friday. O quantomeno lo capisco. Non lo parlo fluentemente, ma lo mastico. Ho dentro qualcosa di loro. Sento le persone, le taglie, il modello, la marca e il motivo. Anche se quelli non fanno altro che schiumare dalla bocca. Usando l’asta aggancio uno SleekPack della PoleFace® azzurro taglia M appeso a una rastrelliera in alto sulla parete. «Grazie», grugnisce l’uomo quando gli tiro in faccia il giaccone.”

“Final Human (The Sonnet) Only animal I'm afraid of is myself, When I'm scared, I lose control. I am the height of violence extreme, Kept tamed by conscience whole. I am the maker of all law and order, I decide what's right, what's wrong. I am a grenade waiting to go off, At the sight of humanity done wrong. To the helpless I'm humility incarnate, To the discriminated I'm love unbound. To all intolerance I am judgment day, To paranoid hate I'm piety paramount. If I don't bulldoze your castles of prejudice, Abhijit Vicdansaadet Naskar is not my name. Till the last ounce of hate is obliterated, The final human will emerge time and again.”

“finalement, éperdu d'amour et au comble de la frénésie érotique, je m'assis dans l'herbe et j'enlevai un de mes souliers en caoutchouc. — Je vais le manger pour toi, si tu veux. Si elle le voulait I Ha! Mais bien sûr qu'elle le voulait, voyons! C'était une vraie petite femme. --- Elle posa son cerceau par terre et s'assit sur ses ta-lons. Je crus voir dans ses yeux une lueur d'estime. Je n'en demandais pas plus. Je pris mon canif et enta-mai le caoutchouc. Elle me regardait faire. — Tu vas le manger cru ? — Oui. J'avalai un morceau, puis un autre. Sous son regard enfin admiratif, je me sentais devenir vraiment un homme. Et j'avais raison. Je venais de faire mon apprentissage. J'entamai le caoutchouc encore plus profondément, soufflant un peu, entre les bouchées, et je continuai ainsi un bon moment, jusqu'à ce qu'une sueur froide me montât au front. Je continuai même un peu au-delà, serrant les dents, luttant contre la nausée, ramassant toutes mes forces pour demeurer sur le terrain, comme il me fallut le faire tant de fois, depuis, dans mon métier d'homme. Je fus très malade, on me transporta à l'hôpital, ma mère sanglotait, Aniela hurlait, les filles de l'atelier geignaient, pendant qu'on me mettait sur un brancard dans l'ambulance. J'étais très fier de moi. Mon amour d'enfant m'inspira vingt ans plus tard mon premier roman Éducation européenne, et aussi certains passages du Grand Vestiaire. Pendant longtemps, à travers mes pérégrinations, j'ai transporté avec moi un soulier d'enfant en caoutchouc, entamé au couteau. J'avais vingt-cinq ans, puis trente, puis quarante, mais le soulier était toujours là, à portée de la main. J'étais toujours prêt à m'y attabler, à donner, une fois de plus, le meilleur de moi-même. Ça ne s'est pas trouvé. Finalement, j'ai abandonné le soulier quelque part derrière moi. On ne vit pas deux fois. (La promesse de l'aube, ch. XI)”