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H Quotes

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“Homeopathy may be defined as a specious mode of doing nothing. While it waits on the natural progress of disease and the restorative tendence of nature on the one hand, or the injurious advance of disease on the other, it supplies the craving for activity, on the part of the patient and his friends, by the formal and regular administration of nominal medicine. Although homeopathy will, at some future time, be classed with historical delusions.”

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“Homer and Candy passed by the empty and brightly lit dispensary; they peeked into Nurse Angela's empty office. Homer knew better than to peek into the delivery room when the light was on. From the dormitory, they could hear Dr. Larch's reading voice. Although Candy held tightly to his hand, Homer was inclined to hurry - in order not to miss the bedtime story.”

“Homer, in the second book of the Iliad says with fine enthusiasm, "Give me masturbation or give me death." Caesar, in his Commentaries, says, "To the lonely it is company; to the forsaken it is a friend; to the aged and to the impotent it is a benefactor. They that are penniless are yet rich, in that they still have this majestic diversion." In another place this experienced observer has said, "There are times when I prefer it to sodomy." Robinson Crusoe says, "I cannot describe what I owe to this gentle art." Queen Elizabeth said, "It is the bulwark of virginity." Cetewayo, the Zulu hero, remarked, "A jerk in the hand is worth two in the bush." The immortal Franklin has said, "Masturbation is the best policy." Michelangelo and all of the other old masters--"old masters," I will remark, is an abbreviation, a contraction--have used similar language. Michelangelo said to Pope Julius II, "Self-negation is noble, self-culture beneficent, self-possession is manly, but to the truly great and inspiring soul they are poor and tame compared with self-abuse." Mr. Brown, here, in one of his latest and most graceful poems, refers to it in an eloquent line which is destined to live to the end of time--"None knows it but to love it; none name it but to praise.”

“Homer looked back at me. 'Pete, can I tell ya somethin' real important?' 'Sure, what is it?' I couldn't imagine what Homer was about to say. He sat down on a rounded rock. I sat down too. 'One thing I've learned is that ya never know what's gonna happen to ya in this old life. Everything can change, just like that.' He snapped his fingers, loud and fast. 'You never know what might happen to ya and that dawg ah yers. Ya know what you should do? You ought to settle down here ... On my mountain.' His words were coming quickly and eagerly. 'I'll teach ya all the ways of livin' up here, and someday when ya get a place built, you can have yerself a family.' Homer wasn't kidding me. 'And, besides, ya know I ain't gonna be here forever. When I leave, then you can take care of this place for me. You understand more than anyone why I love this place so much. I know ya wouldn't let them lumbermen and hunters come up here and hurt my place.' There was a shell around Homer and reaching his heart was like breaking a granite boulder with your bare hands. But now, Homer's heart was breaking. After he finished he turned away from me. When he turned back, his questioning eyes were teary. 'Homer, what you just said was beautiful.' I looked down at my boots and rolled a rock back and forth under my heel. 'But, I don't know. I'll have to give it some serious thought, okay?' As quickly as Homer had broken his stride and opened himself up, he was fast on his feet walking back up the mountain. He stayed as quiet as the king trees that he loved so much, never again saying a word to me about his amazing invitation.”

“Homer porge il libro a Lilith e lei lo prende fra le dita. Lilith si aspetta che sia come un vestito o un portagioielli, facile a rompersi come qualsiasi cosa dei backra. Il libro è duro e morbido al tempo stesso, la copertina su cui fa scorrere le dita sembra lino al tatto, o tela grezza, ma il libro è anche duro come il legno e spesso. Il libro è rosso come il vino o il sangue. Lei non ha mai, mai toccato né annusato niente di simile. Un effluvio come d'olio, o forse di ascelle di uomo bianco, o di polvere e qualcos'altro, tutte cose che separate hanno un odore orribile ma insieme creano la più meravigliosa delle miscele. Lilith chiude gli occhi e fiuta quell'odore come fosse tabacco.”

“Homes, Gamache knew, were a self portrait. A person's choice of color, furnishing, pictures, every touch revealed the individual. God, or the devil, was in the details. And so was the human. Was it dirty, messy, obsessively clean? Were the decorations chosen to impress, or were they a hodgepodge of personal history? Was the space cluttered or clear? He felt a thrill every time he entered a home during an investigation.”

“HOMESCHOOLING, n. The education of children at any place other than a school—usually by parents, tutors, or a mix of both. Where homeschooling is legal, it follows the public curriculum and tends to grow in correlation with parents’ dissatisfaction with the alternatives. Where it’s illegal, all children are forced to go to school, regardless of affinity, bullies, or circumstances—unless of course there is a pandemic and the adults freak out. See HOMESCHOOLING in the Guide to Alternative Education.”

“Homesickness is a great teacher. It taught me, during an endless rainy fall, that I came from the arid lands, and like where I came from. I was used to dry clarity and sharpness in the air. I was used to horizons that either lifted into jagged ranges or rimmed the geometrical circle of the flat world. I was used to seeing a long way. I was used to earth colors--tan, rusty red, toned white--and the endless green of Iowa offended me. I was used to a sun that came up over mountains and went down behind other mountains. I missed the color and smell of sagebrush, and the sight of bare ground.”

“Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly... perhaps even malignant. Homesickness is a real sickness--the ache of the uprooted plant.”