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Paint Quotes

“To say it's the poor quality of the paint under socialism is correct, but it is not enough. To say it's soft-coal exploitation and air pollution, bad gasoline and bad cars, or lack of money - that again would be correct. But not the whole story. All these reasons (and probably many more) are not enough to explain the decrepitude. I think the reason is in us. The cities have been killed by our decades of indifference, by our conviction that somebody else - the government, the party, those 'above' - is in charge of it. Not us. How can it be us, if we are not in charge of our own lives?”

“Mom’s approach to cuisine came from her art school days, inspiration hitting her on the spot. The ingredients she chose were paints you’d throw at a canvas, each chosen for its color and texture rather than its taste. If your fava beans didn’t click with the polenta? All you had to do was toss in a kilo of shrimp and the pink would bring out the dull off-white.”

“Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. It was the best time of her life.”

“I became an artist because I wanted to be an active participant in the conversation about art.”

“A photograph shouldn't be just a picture, it should be a philosophy.”

“The advice I continually give to young writers is this, "Learn to paint pictures with words." Not just once upon a time, but ... In the long secret dust of ages, beneath a blue forgotten sky, where trade winds caress the sun bleached shores of unknown realms ... See, as much as there are words in poetry, there is a poetry in words. Use it, stay faithful to the path you have set your heart upon and follow it.”

“When an artist is in the strict sense working, he of course takes into account the existing tastes, interests and capacity of his audience. These no less than the language , the marble, the paint, are part of his aw material.; to be used, tamed, sublimated, not ignored or defied. Haughty indifference to them is not genius, it is laziness and incompetence.”

“If I had my child to raise all over again,I'd finger paint more, and point the finger less.I'd do less correcting, and more connecting.I'd take my eyes off my watch, and watch with my eyes.I would care to know less, and know to care more.I'd take more hikes and fly more kites.I'd stop playing serious, and seriously play.I'd run through more fields, and gaze at more stars.I'd do more hugging, and less tugging.I would be firm less often, and affirm much more.I'd build self esteem first, and the house later.I'd teach less about the love of power, and more about the power of love.”

“Sports biography at its best. Rich in period detail, anecdote, and fresh perspective, Strong Boy paints both the good and the bad sides of success, as America's growing celebrity culture turned a simple Irish American gladiator into a national, in fact international hero. A very human story with profound parallels for our sports-obsessed culture today!”

“Earning money is not the sole objective of life or education. A community of any quality should have a whole range of skills and interests. They should paint, write, perform, visit art galleries and enjoy world-class concerts. Only then will they form a vibrant, rounded, interesting community.”

“What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images.”