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Perception Quotes

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Perception Quotes

“I think people's perception is that when you're famous, you want people to love you. That's a big part of why people become famous, because they don't just want love, they want it on a grand scale. But once you realize - and it's not a big trick to really figure it out - that it's just completely artificial, an external pumping of the ego that's never going to really help you, then it's an easy thing to step out of it. That's probably why Harrison Ford lives in Jackson Hole, Wyoming.”

“I find many women are intimidated by "career women"! Bottom line: snap judgments about what you think others' perceptions might be about you, personally or professionally, can be more dangerous or damaging to you than those who are uncomfortable with your stature or your smarts. If you are smart and focused on your career, remind yourself that no one can ever take away your drive and your passion.”

“When you continuously know and sense yourself as the space of consciousness rather than what appears in consciousness - sense perceptions, thoughts, emotions - then it can be said that you are enlightened... except that you wouldn't think or speak of yourself as 'enlightened', because that would instantly create another mind-based conceptual identity and so it would be the end of 'your' enlightenment.”

“What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media.”

“I think that most technology is positive in the short term, and negative in the long term. I wonder, if somebody looked back at the 20th and 21st centuries a thousand years from now, what their perception of the car would be. Or of television. I wonder if over time, they'll be seen as this thing that drove the culture, but ultimately had more downside than upside.”

“I think spiritual perception comes from natural and healthy relationship to the land and I've had that. I get an easy, automatic sense of myself in nature, a wholeness and I feel nowhere else. I think people should live where praying is most immediate. That`s why I live in New Mexico. The physical terrain, the feeling, the environment and culture improve my life just by waking up there.”

“I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.”

“Mature art, I think, emerges when there's a certain balance of tensions, when there's neither neurotic prostration nor cold rationality, but an aura of energy and a drive to grasp personal "truths" still emerging into perception. To grasp and to shape them.”

“I think the connection between poetry and theology, which is profound in Western tradition - there is a great deal of wonderful religious poetry - both poetry and theology push conventional definitions and explore perceptions that might be ignored or passed off as conventional, but when they are pressed yield much larger meanings, seem to be part of a much larger system of reality.”

“If you read Calvin, for example, he says, How do we know that we are godlike, in the image of God? Well, look at how brilliant we are. Look how we can solve problems even dreaming, which I think is true, which I've done myself. So instead of having an externalized model of reality with an objective structure, it has a model of reality that is basically continuously renegotiated in human perception. I think that view of things is pretty pervasively influential in Protestant thought.”

“I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.”

“Thought creates things by slicing up reality into small bits that it can easily grasp. Thus when you are think-ing you are thing-ing. Thought does not report things, it distorts reality to create things, and as Bergson noted, "In so doing it allows what is the very essence of the real to escape." Thus to the extent we actually imagine a world of discrete and separate things, conceptions have become perceptions, and we have in this manner populated our universe with nothing but ghosts.”

“I think that a true economics thinker or a Marxist thinker would make nonsense of my argument, although I have given massive seminars and no one has demolished it so far. I did think that this idea from an artisanal and trading perception of the auratic quality of goods when they are given character and inscription, made the stories of phantasmic wealth read more powerfully in the 18th and 19th centuries than the stories of Cinderella's wealth, because they are conjured out of nothing by these magic means.”

“I feel like people focus too much on what other people think of their lives and trying to appear like they have it all together rather than focusing on just being happy. You can't control the perception of others no matter how hard you try. Do things that promote personal growth and health. Genuine happiness is hard to miss.”

“The use of neuroscientific data to help resolve phenomenological questions is proving a common theme in much contemporary thinking about the mind. How rich are the contents of visual perception? Does vision only tell us about shapes and colours, or does it also represent higher categories like lemon or umbrella?”

“Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.”

“I think you can take the recent war in Lebanon as a very good example of how this plays. The Americans and their allies clearly stood back - clearly in the eyes of Muslims - and basically said to the Israelis, "Do what you need to do, and we'll hold the ring for you and not call a cease-fire." That perception in the Muslim world very much played to the anti-American sentiment.”

“There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.”