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Wire Quotes

“The use of electronics is a natural extension of the instrument - it is an electric guitar. So we guitarists have been plugging into something since 1931, and we are not about to stop now. Current advances in technology means we can have a huge array of sounds at our fingertips, and this offers amazing possibilities to the contemporary composer. It is always a guitar (I don't play synthesizer) but it becomes something else all together - more like sculpting sound in real time using metal wires, 5 fingers and a pick.”

“David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.”

“Constance L. Rice, co-director of the Los Angeles of the Advancement Project, told the Times that Seltzer might have been influenced by David Simon's fake ghetto series, "The Wire." It figures. Isn't this sexism? Isn't this a double standard? They're hard on this young woman for her fake ghetto book, yet praise these White guys for theirs. So there's a big market in downing Black men.”

“There is no doubt that it is around the family and the home that all the greatest virtues, the most dominating virtues of human society, are created, strengthened and maintained. Having a family guarantees that you have a built in support system, and although that support system may not always be what you want it to be, when it comes down to the wire, your family will love you and stand behind you, no matter what.”

“The rope connecting two men on a mountain is more than nylon protection; it is an organic thing that transmits subtle messages of intent and disposition from man to man; it is an extension of the tactile senses, a psychological bond, a wire along which currents of communication flow.”

“Some teams have a nucleus to build around. The Falcons barely have an embryo. So if you see suspicious looking wires running from the locker room to Dimitroff's office, and the general manager pushes down on the plunger as early as today, don't feel the need to cover your eyes. You've already seen the worst.”

“Ugh, puppy mills. These commercial breeding facilities are horrendous. The animals are kept in tiny wire cages, with little to no human interaction throughout their lives. They are rarely, if ever, seen medically and are forced to breed over and over again and watch as their babies are taken away from them and sold to pet stores. It is a supply-and-demand business, so the more people stop going to pet stores and choose to adopt instead, the quicker we can put an end to these puppy mills.”

“However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.”

“Our biggest art forms are film and television, and there hasn't been a great film about 9/11 yet, nor has there been a great television series. Something like The Wire gives us a rich and fully achieved picture of the wasteful, cruel War on Drugs; something like The White Ribbon gives a perspective on World War I that could only have been presented long after the event itself.”

“My father modestly referred to himself as the Great Santini when we were growing up. And he took it - I later learned he had seen a high-wire aerialist when he was a boy, and he was up doing acrobatics in his airplane, and when he came down one time - when was a young lieutenant - he said, I was better than the Great Santini today. And some of the other pilots heard it, and the nickname stuck.”

“We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.”

“Hillary Clinton was an outstanding secretary of state. She would never intentionally put America in any kind of jeopardy. And what I also know, because I handle a lot of classified information, is that there's classified and then there's classified. There's stuff that is really top secret top secret, and there's stuff that is being presented to the president or the secretary of state that you might not want on the transom or, you know, going out over the wire, but is basically stuff that you could get in open source.”

“I buy a tractor two years ago, and four-fifths of the tractor manual is about not tipping over, not raising the bucket high enough to hit high-tension wire... not killing yourself, basically. And in that manual, I found out - and it cost me a thousand dollars - that when the tractor is new, 10 hours into use of the tractor, you have to re-torque the lug nuts. If you don't, you will oval the holes. This is buried between the moron warnings. I never found it. I take the tractor in for its regular servicing, and they say my wheels are gone. How am I supposed to know that? "It's in the manual."”

“When I reached Fort Binjemma, for example, where my grandfather was stationed for a while, the whole Victorian fort was decaying. Barbed wire surrounded it, spray paint on the ancient walls claimed it as private property, and the moat where my grandfather and his men had grown crops - in desperation as the siege's hunger bit - was completely overgrown with bushes and trees.”

“If you look at the Associated Press wires, there's a constant flow of information coming in. At that time I happened to have direct access to AP wires. The day the marines landed in Haiti and restored [ Jan Bètran] Aristide there was a lot of excitement about the dedication to democracy and so on. But the day before the marines landed, when every journalist was looking at Haiti because it was assumed that something big was happening, the AP wires reported that then [Bill] Clinton administration had authorized Texaco to ship oil illegally to the military junta.”

“By leaning on companies, by leaning on infrastructure providers, by leaning on researchers, graduate students, post-docs, even undergrads, to look at the challenges having an untrusted internet, where we have to put our communications on wires that are owned by a phone company that we can't trust, that's working in collaboration with a government that we can't trust, in areas around the world, we can restructure that communications fabric in a way that it's encrypted.”

“I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.”

“My direction as a person working in film has been to never get comfortable with anything I was doing. At the time that I decided to do action films, people were telling me, "Well, you can't do it. You're not that type. It's not going to work." And so obviously that made me think, "Well, that's not comfortable. Maybe I should try it. What can I do with it?" So I did that, and I'm glad I did it. I'll probably do it again, and I did other kinds of things that seemed like challenges for me, because I like being on the high wire.”