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Ears Quotes

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Ears Quotes

“Why do I feel so exercised about what we think of the people of the Middle Ages? ... I guess it's because so many of their voices are ringing vibrantly in my ears - Chaucer's, Boccaccio's, Henry Knighton's, Thomas Walsingham's. Froissart's, Jean Creton's... writers and contemporary historians of the period who seem to me just as individual, just as alive as we are today. We need to get to know these folk better in order to know who we are ourselves.”

“If you can make a little painting for the ears with a few words, well, I like words; I like cutting them up and finding different ways of saying the same thing... I get into a spell, and it all comes easy. I don't labor over it. I go inside the song, I think you make yourself an antenna for songs, and songs want to be around you. And then they bring other songs along, and then they're all sitting around, and they're drinkin' your beer, and they're sleeping on the floor. And they are using the phone, they're rude, thankless little f---ers.”

“You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".”

“So, think as if your every thought were to be etched in fire across the sky for all and everything to see.For so, in truth, it is.So speak as if the world entire were but a single ear intent on hearing what you say.And so, in truth, it is.Do as if your every deed were to recoil upon your heads.And, so in truth it does.So wish as if you were the wish.And so, in truth, you are.So live as if your God Himself had need of you his life to live.And so, in truth, he does.”

“I think we owe it to children to let them dig their knowledge, of whatever subject, for themselves out of the "fit" book; and this for two reasons: What a child digs for is his own possession; what is poured into his ear, like the idle song of a pleasant singer, floats out as lightly as it came in, and is rarely assimilated. I do not mean to say that the lecture and the oral lesson are without their uses; but these uses are, to give impulse and to order knowledge; and not to convey knowledge.”

“I think when tragic things happen it is on surface. It is like the ocean. One the surface a waves and sometimes the wave is very serious and strong. But it comes and goes, comes and goes, and underneath, the ocean always remains calm. Tibetans have a saying: "If bad news comes to you listen here" (points to the right ear) "and let it our here" (points to the left ear).”

“I always say that I love magic but I hate magicians. I like being fooled. If you wave your hands in front of my face and I think you're doing a trick, I'm easily impressed. If you pull a quarter out of my ear, I'm quite certain you're a wizard. But I don't like the way most magicians don't act like they're magical; they act like show business dicks.”

“How can we appraise a proposal if the terms hurled at our ears can mean anything or nothing, and change their significance with the inflection of the voice? Welfare state, national socialism, radical, liberal, conservative, reactionary and a regiment of others ... these terms in today's usage, are generally compounds of confusion and prejudice. If our attitudes are muddled, our language is often to blame. A good tonic for clearer thinking is a dose of precise, legal definition.”

“Every creature reproduces after its kind. A dog gives birth to dogs, a cat gives birth to cats, a cow gives birth to cows, a monkey reproduces monkeys and a human reproduces humans. So when God gives birth, what do you think He'll reproduce? gods, of course! When God created Man, He created him in His image and after His likeness. That's why we look like Him; we have two hands the same way He has two hands. We have two legs, one head, one mouth, one nose, two ears and two eyes just like Him.”

“There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.”

“I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.”

“I think about the kinds of gardens that Queen Elizabeth put up. She made gardens in the shape of an "E," for Elizabeth, just one more way in which she used symbolism to solidify her reign: appearing as the Virgin Queen, for example, or wearing a dress embroidered with eyes and ears to indicate that she knew all that was going on in her castle; she had spies.”

“President Trump watches a lot of television. I mean, really a lot. His favourite channel is Fox. Now just imagine somebody wants put a message in front of the president. You can hire a lobbyist or you can buy a minute on Fox or you can even pay somebody at a think tank to articulate your message and then pay a booker at that think tank to get that person on Fox and put the thought directly in the president's ear.”

“Consumers cannot think in abstractions. They cannot envision a new concept. They cannot predict their behavior. They can only compare against their current frame of reference. So you need to make the big leap for them. You need to provide them with a reason to buy, a reason to brag to their friends. Expect new-to-the-world ideas to fall on deaf ears. Consumers will, however, change their tune when they can see, touch, and explore.”

“I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.”

“The idea of listening to a record that's in one generic style, it becomes quite boring after the third or fourth song, in my opinion. It just becomes a bit... when you've got the same arrangement on a song, your ears get tired. I come from a DJ background and it's about trying to put songs together that don't fit necessarily but you can get away with putting them next to each other. I think of myself as a punter and ask myself: what would I like to hear?”

“Americans have an interesting conundrum, a black and white line: You're on one side or the other of Puritanism or licentiousness. But that gray area where people abide, between their ears or on the Internet, needs to be fleshed out more in terms of permission granted. I think a lot of women are contained within the parentheses of shoulds and role-play. It's all about entitlement and history. It's all about upper-body strength - and exacting your will.”

“I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.”