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Materials Quotes

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Materials Quotes

“I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.”

“The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.”

“I had to leave some traces. In the beginning, I would give complete instructions to the photographer. In the '70s, people would come to photograph your work and you would just end up with this crazy material that had nothing to do with your work; maybe I'd pick up two or three photographs that were the closest to the idea. This is why when you look at the '70s, you see much less documentation and really bad material. The material will become misleading to what the piece was.”

“Even my wife and two of my children are in "Leaves of Grass". Because I love the source material so much, it was really easy to write and an utter delight to get to direct because I had people like Edward [Norton] elevating the material and surprising me in their interpretations of all of this stuff that's so close to me.”

“Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings & themes - but the difficulty is choosing a voice & a language in which to present it.”

“You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is.”

“I left the convent and that was because I wasn't a very good nun. I could see that I wasn't going to make it. It's very difficult to be a nun, or to live a religious life. It's very difficult to live a life of total celibacy or a life without any possessions or material responsibilities at all, or in total obedience to somebody else, and remain a mature whole human being, and I knew that I wasn't going to be one of those.”

“Essentially Satori is a sudden experience, and it is often described as a "turning over" of the mind, just as a pair of scales will suddenly turn over when a sufficient amount of material has been poured into one pan to overbalance the weight in the other. Hence it is an experience which generally occurs after a long and concentrated effort to discover the meaning of Zen.”

“Worms'-Meat, n. The finished product of which we are the raw material. The contents of the Taj Mahal, the Tombeau Napoleon and the Granitarium. Worms'-meat is usually outlasted by the structure that houses it, but "this too must pass away." Probably the silliest work in which a human being can engage is construction of a tomb for himself. The solemn purpose cannot dignify, but only accentuates by contrast the foreknown futility.”

“To transcend means to "go beyond," but this need not compel us to an ornate dualist view that regards transcendent levels of reality (e.g., the spiritual level) to be not of this world. We can "go beyond" the "ordinary" powers of the material world through the power of patterns. Rather than a materialist, I would prefer to consider myself a "patternist." It's through the emergent powers of the pattern that we transcend.”

“A life without love is a waste. 'Should I look for spiritual love, or material, or physical love?', don't ask yourself this question. Discrimination leads to discrimination. Love doesn't need any name, category or definition. Love is a world itself. Either you are in, at the center... either you are out, yearning.”

“Not the wretchedest man or woman but has a deep secretive mythology with which to wrestle with the material world and to overcome it and pass beyond it. Not the wretchedest human being but has his share in the creative energy that builds the world. We are all creators. We all create a mythological world of our own out of certain shapeless materials.”

“This new England we have invented for ourselves is not interested at all in education. It is only interested in training, both material and spiritual. Education means freedom, it means ideas, it means truth. Training is what you do to a pear tree when you pleach it and prune it to grow against a wall. Training is what you give an airline pilot or a computer operator or a barrister or a radio producer. Education is what you give children to enable them to be free from the prejudices and moral bankruptcies of their elders.”

“It is my opinion that the use of this barbarous weapon at Hiroshima and Nagasaki was of no material assistance in our war against Japan. The Japanese were already defeated and ready to surrender... In being the first to use it, we had adopted an ethical standard common to the barbarians of the Dark Ages.”

“The difference between real material poison and intellectual poison is that most material poison is disgusting to the taste, but intellectual poison, which takes the form of cheap newspapers or bad books, can unfortunately sometimes be attractive.”

“You can draw a line between what I'm interested in and what I'm not interested in. On one side you can name Dylan and Lennon, who observe the world and have feelings, and write songs directly from those feelings. On the vapid side you have pop groups who need material and write songs to fill the hole, rather than getting somebody else.”

“There is a deeper truth expressed in the unity of the United States. Implicate in the union of our country is the union of all people. All people are essentially one. The world is interconnected not only on the material level of economics, trade, communication, and transportation, but innerconnected through human consciousness, through the human heart, through the heart of the world, through the simply expressed impulse and yearning to be and to breathe free.”