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“First and foremost, my hats off to our directors and camera department. That is something I will miss after Longmire. I can't imagine working on another show that looks like this. We'll get the whole crew out on location and have a hundred people standing around, waiting for about 40 minutes, so that sun is just a little bit further in the sky and the light is hitting the cloud, in the perfect way.”

“The fact is that I write under duress, often in my bed, often at the last minute. I'm kind of a binge writer I would say, which I don't support. I was always kind of that way. Probably the time I was the most regular as a writer was college. It was like, what else is there to do when you're living in the Midwest studying creative writing?”

“The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.”

“I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!”

“To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So you have to with a pilot introduce all your characters, set up the premise in a way that shows the potential for a series and make it funny and do it all in about thirty-five or forty pages. It's very hard.”

“Finally, you're right about one point, your entire way of thinking is predicted by what you're immersed in so you know you won't make a bad decision. You can make a bad decision but it's still in the good sphere normally if you work well. You're prepared to face a crew who wants to know everything and poses a hundred questions a minute, because you know you have good reflexes and can respond very quickly.”

“We broke up, and my first reaction was 'Fine - I've been through this too many times. I can't change your mind. I can't live your life for you. You're gone in your direction. I'm going to pick up; I'm going to go in my direction. I'm not going to live in the past. I'm not going to embrace the pain. You go, I'll go, and that will be it.' And I felt that way for an hour and 10 minutes.”

“In my mind what novels do best is that they immerse us deeply into our character's world - they truly transport us deep into these spaces - but the same way you know a Hollywood movie won't end after thirty minutes, you carry in yourself the implicit contract that the novel won't throw you out of itself 'til the very end. That bulk of pages is a form of consolation, of security.”

“The limitation in our ability to perceive broad distinctions in scope can be applied to our moral and temporal responses.... We agonize over a dinner menu, or have engine trouble on the way to work; and for seconds or minutes our cosmos shrinks to a miniscule volume of being, an epic of cheese sauces or tragedy of fanbelts.”

“I am interested in politics but have stayed away from writing overtly political songs, or message songs, because I find it difficult to discuss politics intelligently in a 4-minute song. But I am finding there are ways to get bits and pieces of political thought across without preaching that the people have the power or we shall not be moved. Of course these sentiments have their place too - I'm not knocking Phil Ochs - but that's a different kind of music, songs to play at rallies, not to achieve a state of bliss.”

“Meditation has become a big part of my life these days. It's more about taking some moments for yourself to deep-breathe and focus your attention inward. This has really helped me because, as a perfectionist, I used to think that if I couldn't meditate in my idea of the perfect way, then it wouldn't work. I now meditate even if it is for three minutes while I'm sitting in the car. Every little bit helps to slow the system.”

“I'm a low maintenance girl. I try to do very little when I don't have to. I find that if I have regular 'maintenance' treatments, I can be ready to go out in 5 minutes. I get my hair coloured, have regular massages, and love getting my lashes tinted and my brows shaped. Plus heaps of exercise, and as much sleep as possible. That way when I'm going out all I have to do is slick on some gloss, and a bit of blush and I am ready to go! Of course the LA sun helps too.”

“One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.”

“One of the things the police officers told us in the first minutes of being with them is that the way that they cope with their job is by using a lot of inappropriate humour. It's really a lovely opportunity to try to challenge our ideas of what it is to deal with complex issues, and that they're not always dower. Having that kind of humour along with the pathos for what people are going through is a really nice challenge.”

“Ivo van Hove is directing The Crucible, and rehearses in quite an unusual way. We started rehearsals last week and dived straight into the first act, like, five minutes after we all turned up. No warm-ups. We were very intensely immersed in that whole world on day one. It was quite surreal because I've never done any theater before.”

“Let's look at lending, where they're using big data for the credit side. And it's just credit data enhanced, by the way, which we do, too. It's nothing mystical. But they're very good at reducing the pain points. They can underwrite it quicker using - I'm just going to call it big data, for lack of a better term: "Why does it take two weeks? Why can't you do it in 15 minutes?"”

“I grew up down in the hills of Virginia. I can be in Kentucky in 20 minutes, Tennessee in 20 minutes or in the state of West Virginia in 20 minutes. And it's down in the Appalachian Mountains, down there. And it's sort of a poorer country. Most of the livelihood is coal mining and logging, working in the woods and things like that. Most people has a hard life down that way.”

“The romance of circumvention is one of the most destructive forces at work in our society. The American Idol freeway to greatness, Instagramming one's way into popular consciousness with selfies of our ass folds beneath short shorts, human growth hormone and performance-enhancing drugs for athletes, Adderall for the idle mind, reality television that sacrifices our dignity for fifteen lousy minutes.”

“There's all of the DVD extra material and all these other pieces of information that don't fit into a 90-minute experience, but it's still content and people still want to see it. It's being open to [the fact that] the business is changing and being open to how you can make money to afford you to stay in business to keep making new things. I think you just have to have an open mind and be really smart about stuff and not be so locked into the conventional way of how the process used to go.”

“It was a very interesting experience. You know, I don't think words could do it justice. Roseanne [Barr] is a comedian, a laugh a minute at every turn, and this time around she was actually going to be the vice presidential candidate of another Green Party candidate. So I guess she's still in the mix in some ways,sort of learning her politics as she goes, like a lot of us Americans who are getting thrown under the bus and for whom it is not a laughing matter. We are going to stand up and take this seriously and refuse to be intimidated out of the future that we deserve.”

“The bottom line on nuclear weapons is that when the president gives the order, it must be followed. There's about four minutes between the order being given and the people responsible for launching nuclear weapons to do so. And that's why 10 people who have had that awesome responsibility have come out and, in an unprecedented way, said they would not trust Donald Trump with the nuclear codes or to have his finger on the nuclear button.”