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Shame Quotes

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Shame Quotes

“Poverty is, except where there is an actual want of food and raiment, a thing much more imaginary than real. The shame of poverty--the shame of being thought poor--it is a great and fatal weakness, though arising in this country, from the fashion of the times themselves.”

“What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.”

“What would happen if people practiced openness and honesty? If people talked about their real challenges without shame or fear of rejection? My guess is that people would feel less alone and isolated. People would be willing to share more, and as a result, society would feel more connected to each other and their experiences.”

“Property is surely a right of mankind as real as liberty. Perhaps, at first, prejudice, habit, shame or fear, principle or religion, would restrain the poor from attacking the rich, and the idle from usurping on the industrious; but the time would not be long before courage and enterprise would come, and pretexts be invented by degrees, to countenance the majority in dividing all the property among them, or at least, in sharing it equally with its present possessors.”

“People always say, "You played such a strong character." I remember someone said that to me when I played a role in Shame, and she was a suicidal mess. I said, "She's not strong at all; she's incredibly weak." But "strong" to people means "real." It means you believe that's a person who exists, as opposed to some two-dimensional depiction of women.”

“Working with Jim Sheridan for instance, we did this movie Brothers. Jim will ask anybody - we'll get a delivery on set, and like the poor delivery guy will be like, "Here's your pizza," and he'll be like, "Come over here. Come here. I want to ask you a question. Do you think this is real? What do you think? Should we do another take?" And they're like, "I, uh, you want your pizza?" There's no shame in everybody's ideas. There's no shame in somebody not knowing.”

“I think that's the real shame: We spent the last 48 hours talking about these disgusting, disgusting comments and disgusting behavior instead of talking about hurricane relief or what's going on in Flint, Michigan. It's just appalling to have to be dealing with such nonsense and such disgusting, you know, criminal speech.”

“I think it's a real shame so many schools have taken out the hands-on classes. Art, music, auto mechanics, cooking, sewing, these are all things that can turn into jobs. You know, wood shop, steel shop, welding. These are all things that can turn into great careers, get kids interested. Things they can do with other students. Other things for our word thinkers: journalism clubs, drama clubs.”

“I have made you - along with Fox News has made you - think Obama is something that he isn't. And it's such a shame. I have so distorted who the real Obama is in your mind, that it is paralyzing our government. It is paralyzing the Speaker of the House, who really, really, really, really wants to go in there and really, really work with Obama, but he just can't. It's hard for people like Boehner to move too far in my direction because of the misperception of me, Obama says, created by Fox News and Rush Limbaugh.”

“I think challenges are what any decent writer would be all about. If you actually do find your slide and grease it, shame on you. Me, I get bored very easily. As a writer I get bored even faster than I do in real life. I mean, I like fast cars; I've driven a lot of racecars. You need some stimulation. If I find something that seems too difficult to do, too difficult to research, or beyond your writing abilities, it's a perfect invitation to try it.”

“It is true that ADs do not get a chance to get a chance to create or produce, almost never, because it's whole separate thing. Most creative producers you have to come up on the development side, you work with agents, you work with writers, you're in the office and then the AD's are on the set. But it's a real shame because part of - no decision in producing can be made correctly unless you have all the creative information you need but you also have all the budget and scheduling information you need.”

“We have made men proud of most vices, but not of cowardice. Whenever we have almost succeeded in doing so, God permits a war or an earthquake or some other calamity, and at once courage becomes so obviously lovely and important even in human eyes that all our work is undone, and there is still at least one vice of which they feel genuine shame. The danger of inducing cowardice in our patients, therefore, is lest we produce real self-knowledge and self-loathing, with consequent repentance and humility.”

“We are all freaks. Yes! Alone in our rooms at night, we are all weirdoes and outcasts and losers. That is what being a teenager is all about! Whether you admit it or not, you are all worried that the others won’t accept you, that if they knew the real you, they would recoil in horror. Each of us carries with us a secret shame that we think is somehow unique…And if we are, each of us, freaks – then can’t we accept what’s different in each other and move on?”

“In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.”

“Making your mark on the world is hard. If it were easy, everybody would do it. But it's not. It takes patience, it takes commitment, and it comes with plenty of failure along the way. The real test is not whether you avoid this failure, because you won't. it's whether you let it harden or shame you into inaction, or whether you learn from it; whether you choose to persevere.”

“Mari remembered what she had read in the young girl's eyes the moment she had come into the refectory: fear. Fear. Veronika might feel insecurity, shyness, shame, constraint, but why fear? That was only justifiable when confronted by a real threat: ferocious animals, armed attackers, earthquakes, but not a group of people gathered together in a refectory. But human beings are like that,' she thought. 'We've replaced nearly all our emotions with fear.”

“We all have secret lives. The life of excretion; the world of inappropriate sexual fantasies; our real hopes, our terror of death; our experience of shame; the world of pain; and our dreams. No one else knows these lives. Consciousness is solitary. Each person lives in that bubble universe that rests under the skull, alone.”

“I'd still thought that everything I thought about that night-the shame, the fear-would fade in time. But that hadn't happened. Instead, the things that I remembered, these little details, seemed to grow stronger, to the point where I could feel their weight in my chest. Nothing, however stuck with me more than the memory of stepping into that dark room and what I found there, and how the light then took that nightmare and made it real.”

“The fears that assault us are mostly simple anxieties about social skills, about intimacy, about likeableness, or about performance. We need not give emotional food or charge to these fears or become attached to them. We don’t even have to shame ourselves for having these fears. Simply ask your fears, “What are you trying to teach me?” Some say that FEAR is merely an acronym for “False Evidence Appearing Real.” From Everything Belongs, p. 143”

“Feelings and stories of unworthiness and shame are perhaps the most binding element in the trance of fear. When we believe something is wrong with us, we are convinced we are in danger. Our shame fuels ongoing fear, and our fear fuels more shame. The very fact that we feel fear seems to prove that we are broken or incapable. When we are trapped in trance, being fearful and bad seem to define who we are. The anxiety in our body, the stories, the ways we make excuses, withdraw or lash out—these become to us the self that is most real.”

“If we are going to find our way out of shame and back to each other, vulnerability is the path and courage is the light. To set down those lists of *what we're supposed to be* is brave. To love ourselves and support each other in the process of becoming real is perhaps the greatest single act of daring greatly.”

“Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet?" I'd gotten used to Ian's assumption that everyone was as perverted as he was, so I didn't miss a beat. "We prefer blender beaters for our kitchen utensil kink," I said with a straight face. Bones hid his smile behind his hand, but Ian looked intrigued. "I haven't tried that ... oh, you're lying, aren't you?" "Ya think?" I asked with a snort. Ian gave a sigh of exaggerated patience and glanced at Bones. "Being related to her through you is a real trial.”

“The fancies that take their monstrous birth from the spinelessness and boredom of usurped wealth bring in their wake every defect ... and though rich men's crimes escape the law, protected as they are by the cowardice of governments and people, Nature, more real than society, sets her anarchic example by abandoning the wretched time servers of Capital to the shame and madness of the worst aberrations.”

“How many rappers in the game have "little" in front of their name? Lil' Wayne, Lil' Boosie it's a lil' shame Lil' Flip, Lil' Cease, yo they not the same Lil' Wyte, Lil' Mama, where Lil' Zane? Little Brother, Lil' Jon, and Lil' Fame Real hip hop, not about your lil' chain Lil' Keke, Lil' Kim a lil' freaky Lil' Fizz, Illegal with Lil' Maliky Lil' Mo, Lil' Bow Wow had beef with Lil' Romeo A lil' teenager told me so.”

“Funny as hell, searingly honest, and urgently real, Sam Pink's Rontel puts to shame most modern fiction. His writing perfectly captures the bizarre parade that is Chicago, with all its gloriously odd and wonderful people. This book possesses both the nerve of Nelson Algren and the existential comedy of Albert Camus.”